Back Desert Star
Chapters (62)
  1. COVER PAGE
  2. ALSO BY MICHAEL CONNELLY
  3. DEDICATION
  4. PART 1
  5. 1
  6. 2
  7. 3
  8. 4
  9. 5
  10. 6
  11. 7
  12. 8
  13. 9
  14. 10
  15. 11
  16. 12
  17. 13
  18. 14
  19. 15
  20. 16
  21. 17
  22. 18
  23. 19
  24. 20
  25. 21
  26. 22
  27. 23
  28. 24
  29. 25
  30. 26
  31. 27
  32. 28
  33. 29
  34. 30
  35. 31
  36. 32
  37. 33
  38. 34
  39. 35
  40. 36
  41. 37
  42. PART 2
  43. 38
  44. 39
  45. 40
  46. 41
  47. 42
  48. 43
  49. 44
  50. 45
  51. 46
  52. 47
  53. 48
  54. 49
  55. 50
  56. 51
  57. 52
  58. 53
  59. 54
  60. EPILOGUE
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR

While Ballard worked the phones and the political demands of her job on the other side of a useless privacy wall, he opened the first of three murder books containing the records of the so-far-unsuccessful Sarah Pearlman investigation.

He started with the binder marked VOLUME 1 and immediately went to the table of contents. All crime scene and forensic photos were listed as located in the third volume. He moved to that binder. He wanted to start with the photos, knowing nothing about the case but seeing what the investigators saw on the morning of June 11, 1994, when Sarah’s mutilated body was found in her bed at her family’s home on Maravilla Drive in the Hollywood Hills.

The third murder book contained several clear plastic sleeves clipped to its rings, each holding two 5 x 7 color photos front and back. The pictures were standard harshly lit color photos in which blood looked purple-black, white skin was turned alabaster, and the victim was robbed of her humanity. Sarah Pearlman was just sixteen when her life was brutally ended by a rapist who had choked and stabbed her. In the first photos, Sarah’s body was splayed on the bed with a flannel nightgown pulled up over the exposed torso to cover her face. Bosch initially took the positioning of the nightgown as an effort by the killer to keep the victim from seeing his features. But as he flipped through the photo sleeves, it became clear that the nightgown was pulled up after she had been attacked and killed. Bosch now recognized it as an action of regret. The killer covered his victim’s face so he would no longer have to see it.

There were multiple stab wounds to the chest and neck of the victim, and blood had soaked the sheets and comforter and coagulated around the body. It was also clear from bruising around the neck that the victim had been choked at some point during the ordeal. Counting the years of war and police work, Bosch had been looking at the unnatural cause of death for more than half a century. To say he got used to seeing the depravity and cruelty that humans inflict upon each other would be wrong, but he had long ago stopped thinking of these explosions of violence as aberrations. He had lost much of his faith in the goodness of people. To him the violence wasn’t the departure from the norm. It was the norm.

He knew this was a pessimistic view of the world, but fifty years of toiling in the fields of blood had left him without much hope. He knew that the dark engine of murder would never run low on fuel. Not in his lifetime. Not in anyone’s.