Chapters (55)
- Cover
- Copyright
- Dedication
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- One Week Later
- About the Author
- Also by Patricia Cornwell
- About the Publisher
“Already the days seem to go more quickly for me than they do for Lucy, and your days must go much faster than either of ours because the brain’s biological clock, the suprachiasmatic nucleus in the hypothalamus”—she taps her forehead—“ages just like the rest of us. What changes isn’t time but our perception of it as the instruments inside our biological vessel are subject to stress, fatigue and wear and tear. They become less accurate like a precessing directional gyro or a wet compass out of calibration, and what you perceive isn’t accurate anymore.
“Already your memory-bumps should be moving you back in time like an assembly line. Already the past is being reconstructed and restored rapidly and miraculously as you relive what you see, and what a wonderful ride that will be. Consider it my gift to you. A bit of immortality, a spritz from the Fountain of Youth. But as I continue to emphasize by way of an apology I can’t say when.
“At this juncture in time and space I honestly can’t predict when I will decide the history of the world is perfectly poised and suited for you to be properly and at long last enlightened about the meaning of your life and death, and the beginnings and ends of all the people on earth who matter to you. Including me. Yes me. We’ve never had an opportunity to be friends. We’ve never had a substantive conversation. Not even a cordial one. And that’s shocking when one considers what you could learn from me. Let me fill you in on a few facts about Carrie Grethen.”
Another hidden camera picks her up as she walks across the room to an Army green canvas backpack on the floor. She crouches and digs inside it. She finds a manila envelope that isn’t sealed and slides out folded sheets of paper, more pages of a script.
“Did you know I’m a writer, a raconteur, an artiste? That I’m a devotee of Hemingway, Dostoyevsky, Salinger, Kerouac, Capote? Of course not. You wouldn’t want to humanize me. You wouldn’t want to assign anything positive or noteworthy—no pun intended—such as an appreciation for poetry and prose. Or that I have a very wicked sense of humor.
“I offer a brief character sketch that will give you a few clues, and you go right ahead and share them with whoever you like. Put them in one of your boring technical books. Now there’s an idea. Please excuse that I prefer the third person when I talk about myself. I don’t talk about me. I talk about her. Are you ready? Are you sure?”
Chapter 14
CHAPTER 14
ONCE UPON A TIME THERE WAS AN ALCHEMIST WHO PREPARED HER OWN special protective potions that kept her forever young.”
Carrie holds up the bottle of lotion as she reads from her script.