Chapters (55)
- Cover
- Copyright
- Dedication
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- One Week Later
- About the Author
- Also by Patricia Cornwell
- About the Publisher
“By the time you watch this can you imagine how many chances I will have had to put a bullet in your head?” Carrie points the machine gun’s short barrel at a camera. “Or better yet? Right here?” She touches the back of her neck at the base of her skull at the level of C2, and a transection of the spinal cord at that junction is instantly fatal.
As I watch her describe this I’m not surprised. It’s the exact injury I encountered in recent sniper shootings that occurred in New Jersey, Massachusetts, and Florida when a stealth assassin the press calls Copperhead fired solid copper bullets into the necks of four victims. One of them was Bob Rosado, a United States congressman scuba diving off his yacht in Fort Lauderdale when he was murdered this past June. His teenage son Troy, a budding violent psychopath with a criminal history, vanished at the same time and might also be a casualty. We haven’t found him. We don’t know where he is. He was last seen with her, with Copperhead, with Carrie Grethen.
“There are many different ways to cause death if you’re an expert.” She talks slowly, deliberately in the recording. “And I’m not sure what would be best suited for you. Quick so you have no idea what’s happening? Or drawn out and painful so you have full awareness? Do you want to know you’re about to die or not? That is the question. Hmmm.”
She looks up at the white acoustical tile ceiling with its grayish fluorescent tube lights that are turned off. “I’m probably still giving these options careful consideration. I wonder how close I will have come to ending you by the time you see this. But let’s get started while we’re alone. Lucy will be back soon. This is between you and me. Shhhh!” She holds a finger to her lips. “Our secret.
“I’ve written it all out in a narrative that explains what you’re seeing and hearing.” She holds up sheets of paper filled with typing in the format of a script.
She’s showing off. She wants attention. But from whom? This video clip was sent to me. Yet my gut says I’m not the intended audience. Maybe you can’t be objective anymore.
“There are six hidden cameras here inside four-eleven, Lucy’s cozy little dorm room with all her juvenilia.”
She points the machine gun at movie posters on the wall. Silence of the Lambs and Sneakers. She walks to another wall where a rampant Tyrannosaurus rex from Jurassic Park is a black silhouette against a blaze orange background. Lucy’s favorite movies. I went to a lot of trouble to find the posters for her after she began her internship with the FBI.