Back Depraved Heart
Chapters (55)
  1. Cover
  2. Copyright
  3. Dedication
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. One Week Later
  53. About the Author
  54. Also by Patricia Cornwell
  55. About the Publisher

An elaborately embroidered screen blocks off the deep brick fireplace, and I don’t see any indication it’s ever used. I don’t smell the stale acrid odor of old burned wood and soot. I don’t see sawdust, firewood or firelogs, and I think how dreary. Even on a sunny day it would be. There’s no television and I can’t find a sound system or speakers anywhere, and there are no magazines or newspapers. Not that I can imagine reading in here or relaxing with a friend.

The room is vast and unlived in, and as I stand silently and look around I detect a vague spectrum of other odors. Musty upholstery. Mothballs. Dust is on every surface and suspended in the overhead light, and I entertain stronger doubts about Chanel Gilbert’s housekeeper.

THE LIVING ROOM hasn’t been used or cleaned in quite a while, I tell Marino as I wander toward a menagerie of antique silver animals arranged on a pedestal table.

A horse, a grouse, a bison, a fish with glassy eyes, intricately handcrafted but tarnished and cold, and I see nothing whimsical. The decor is splendid but static and impersonal except for what I think of as talismans, symbols and tools of divination, and the clocks. Several are as old as the house including a lantern clock and a Swiss Gothic one.

“I can’t imagine the housekeeper has been keeping this place up properly,” I add, and I’m keenly mindful of the tactical team and what it’s doing.

“The master bedroom’s way in the back if you keep following the hallway.” Marino walks to a window and pushes aside a panel of the deep red French jacquard curtains. “It’s a long haul to the front door if you’re in bed and someone rings the bell.” He looks out at the dark rainy afternoon, and I hear the downpour and the wind but nothing else.

“I don’t know what they pay Elsa Mulligan or how many hours she works but they aren’t getting their money’s worth.” I continue making the point because Marino isn’t interested in my domestic acumen, and he should be.

I try to envision Elsa Mulligan based on how she’s been described, imagining her large framed glasses, her spiky black hair. Hyde commented that his first reaction was he assumed she was a family friend from Los Angeles, and she seems an odd choice for a housekeeping job. Clearly she isn’t thorough or industrious, at least not about cleaning. If she shows up at eight o’clock every morning then what does she do while she’s here? What she told Hyde strikes me as yet one more story we’re supposed to believe that isn’t adding up.