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Chapters (48)
  1. Cover
  2. part one
  3. prologue
  4. chapter one
  5. Four years later
  6. chapter two
  7. chapter three
  8. chapter four
  9. chapter five
  10. chapter six
  11. chapter seven
  12. chapter eight
  13. chapter nine
  14. chapter ten
  15. chapter eleven
  16. chapter twelve
  17. chapter thirteen
  18. chapter fourteen
  19. part two
  20. chapter fifteen
  21. chapter sixteen
  22. chapter seventeen
  23. chapter eighteen
  24. chapter nineteen
  25. chapter twenty
  26. chapter twenty-one
  27. chapter twenty-two
  28. chapter twenty-three
  29. part three
  30. chapter twenty-four
  31. chapter twenty-five
  32. chapter twenty-six
  33. chapter twenty-seven
  34. chapter twenty-eight
  35. chapter twenty-nine
  36. chapter thirty
  37. chapter thirty-one
  38. chapter thirty-two
  39. chapter thirty-three
  40. chapter thirty-four
  41. chapter thirty-five
  42. chapter thirty-six
  43. chapter thirty-seven
  44. chapter thirty-eight
  45. acknowledgments
  46. About Kyra Davis
  47. Copyright
  48. contents

Underneath that picture are a few paperback novels: Cumbres Borrascosas (Spanish for Wuthering Heights), El Conde de Montecristo (The Count of Monte Cristo). My mother didn’t used to be a big reader . . . not back in the days of pixie dust. But back then she had other things to occupy her: me, for one. And then there was her work and her occasional flings with men who lied sweetly and loved viciously. Things that were all taken away. So in this place, she discovered the books of intellectuals, books she wasn’t supposed to understand or have an interest in . . . but did.

I flip through the dog-eared pages as the fluorescent lights buzz above my head. So many passages have been circled with faint ink. Words about justice and revenge. All translated into Spanish, the language of my ancestors.

But there is one English book in here: The Myths and Legends of Ancient Greece and Rome by E. M. Berens. Serving as a bookmark here among the legends is a picture of a man. A dead man. Murdered in his own home, though in the picture he seems happy, handsome, even worry-free. It’s placed between the pages that describe the deity Mars. I’ve heard stories about Mars before. As far as I can tell he was just another brawling jerk with a god complex.

But then my eyes stop on a name that’s unfamiliar to me. Bellona, Mars’s companion. The book says that Bellona guides Mars’s war chariot. It says that she’s armored and is skilled with her weapon. It says Bellona “appears on the battlefield, inspired with mad rage.”

“Inspired with mad rage.”

It seems an odd choice of words. I’ve lived with rage for so long. At times it’s consumed me, I’ve been lost in it, occasionally immobilized by it. When I did fight, I took on the wrong enemies on the wrong battlefields—and those had been wars inspired by nothing more elevated than desperation. But now . . . now things are different. I know the faces of my enemies.

I know where they live.

And so maybe, just maybe, this Bellona chick was onto something. Maybe now that my rage has actual direction it also has enough power to inspire. Maybe I don’t have to be torn up by my own anger anymore. Maybe that can finally stop.

Maybe now I can use that anger to tear up others.

I think that might be better.

Inspiration and destruction . . . It has a ring to it.

I run my fingers over the name once. And then again. It brings me an odd sense of hope—something I haven’t felt since I stopped dressing up as princesses.

The correctional officer loses patience and clears her throat to get my attention, bringing me out of my head and back into the dimly lit room.

“You need to sign for her effects,” the officer snaps.