Back Deadline
Chapters (51)
  1. Book 2 of The Newsflesh Trilogy
  2. MIRA GRANT
  3. BOOK I
  4. Point of Infection
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. BOOK II
  11. Vectors and Victims
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. BOOK III
  18. The Mourning Edition
  19. Eleven
  20. Twelve
  21. Thirteen
  22. Fourteen
  23. Fifteen
  24. Sixteen
  25. Seventeen
  26. BOOK IV
  27. Immunological Memory
  28. Nineteen
  29. Twenty
  30. Twenty-one
  31. Twenty-two
  32. BOOK V
  33. The Rising
  34. Twenty-three
  35. Twenty-four
  36. Twenty-five
  37. Twenty-six
  38. Coda: Living for You
  39. Twenty-seven
  40. Acknowledgments
  41. extras
  42. meet the author
  43. introducing
  44. BOOK I
  45. From the Dead
  46. One
  47. Contents
  48. BY MIRA GRANT
  49. Praise for Feed
  50. Copyright

I bit my lip to keep myself from answering as we followed Director Swenson through the door and into one of the long, featureless white hallways characteristic of CDC installations everywhere. It’s like they’re afraid to spend money on interior decorating when there’s such a good chance of the place needing to be hosed down with bleach at any moment. We didn’t pass any doctors, although we did walk past several large glass “windows” looking in on empty patient rooms. White walls, white beds, white floors—white everything. I woke up in one of those rooms once, after the CDC team picked us up outside of Memphis. I thought I’d died and gone to the sterilized afterlife.

Director Swenson stopped in front of a door that looked exactly like every other door in the place, except for the larger, more elaborate-looking testing unit built into the wall next to it. “The cycle takes approximately fifteen seconds,” he said, pressing his palm flat against the test pad. “Once I go through, the door will close and the unit will reset. Please don’t try to follow without a clean test. I’d really rather not send the entire facility into lockdown today.”

“It’s cool,” I said. “We know how to do our jobs.”

The light over the door turned green and the door swung open with a hydraulic hiss, saving Director Swenson the trouble of answering me. Instead, he raised an eyebrow and stepped through the doorway before the door swung closed again.

“Scale of one to ten, how stupid is this?” asked Becks, pressing her own palm against the testing panel.

Ten, said George.

“Oh, five, tops,” I said, and smiled brightly. “Don’t worry about it. We’re just here to ask the scientists some questions about science. Scientists like that sort of shit.”

“Right,” said Becks dubiously as the light turned green and the door hissed open again. She stepped through.

“Hey, George,” I muttered, flattening my hand against the testing panel. “Check this out.”

This is what I do know: A lie, however well-intended, can’t prepare you for reality or change the world. The accident victim will die whether they’re promised recovery or not, but the parent told that their child is dying may have time to prepare, and may be able to treasure those final days together even more. To tell the truth is to provide armament against a world too full of cruelties to be defeated with simple falsehoods. If these truths mean the world is less comforting than it might have been, it seems like a pretty small price to pay.

It seems to me we owe the world—more, we owe ourselves—the exchange of comfort for the chance that maybe the truth can do what people always say it can. The truth may, given the opportunity, set us free.

—From The Kwong Way of Things, the blog of Alaric Kwong, April 16, 2041

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