Back Deadline
Chapters (51)
  1. Book 2 of The Newsflesh Trilogy
  2. MIRA GRANT
  3. BOOK I
  4. Point of Infection
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. BOOK II
  11. Vectors and Victims
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. BOOK III
  18. The Mourning Edition
  19. Eleven
  20. Twelve
  21. Thirteen
  22. Fourteen
  23. Fifteen
  24. Sixteen
  25. Seventeen
  26. BOOK IV
  27. Immunological Memory
  28. Nineteen
  29. Twenty
  30. Twenty-one
  31. Twenty-two
  32. BOOK V
  33. The Rising
  34. Twenty-three
  35. Twenty-four
  36. Twenty-five
  37. Twenty-six
  38. Coda: Living for You
  39. Twenty-seven
  40. Acknowledgments
  41. extras
  42. meet the author
  43. introducing
  44. BOOK I
  45. From the Dead
  46. One
  47. Contents
  48. BY MIRA GRANT
  49. Praise for Feed
  50. Copyright

“I’d love that idea, if I thought it was anything but a pipe dream.” We all turned toward Maggie. She’d moved to sit on the floor next to Joe, one arm slung lazily across the dog’s back. She looked completely at peace, despite the fact that she was leaning against an animal that could take off her face with a single bite. “People laugh at me because I watch a lot of horror movies, but horror movies are educational, if you know how to pay attention to them. They tell you about societal trends—about the things that people are afraid of. In the ones before the Rising, they were afraid of actual things. The new ones… they’re just afraid of not being afraid.”

Kelly snorted. “No one makes horror movies anymore.”

“Yes, they do,” said Maggie. “These days, everything’s a horror movie.”

“To get back to the original point, before we went on this fascinating and informative tangent, you said the virus was adapting,” said Alaric. He leaned forward, eyes fixed on Kelly. The Newsie in him sensed blood in the water. I could see it in his face. “No mob behavior, then, mob behavior. What are the reservoir conditions supposed to do?”

“No one really knows.” Kelly stole a glance in my direction, testing my reaction, before focusing on Alaric. She sounded less like she was lecturing and more like she was trying to make herself understood, like it suddenly mattered that we understand. “We think they stem from exposure to the live virus that somehow fails to cause full amplification. You see it mostly in people who risked exposure when they were under the threshold weight, although there have been exceptions. We’re still trying to figure out what causes the exceptions. Why it happens in some adults, and not in others. We don’t really know yet, and it’s not the sort of thing you can easily test.”

“So wait,” said Becks. “Are you saying that people who got exposed when they were really little, they get reservoir conditions instead of getting the whole zombie combo pack?”

Kelly nodded. “Exactly.”

My eyes were normal until I was almost at the amplification threshold, said George thoughtfully. The retinal distortion didn’t kick in until then.

“I know,” I mumbled, keeping my voice low, so as to hopefully avoid reminding my team that I was crazy. Louder, I asked, “What does that mean, exactly?”

“It means their bodies were exposed to live Kellis-Amberlee when they were still incapable of suffering the full effects of the virus,” said Dr. Abbey. There was a lunatic good cheer in her voice, like being allowed to make that statement was a great and glorious gift. “Ever hear of chickenpox?”

“Well, yeah,” said Becks. “It’s part of the standard set of field vaccines.”