Back Deadline
Chapters (51)
  1. Book 2 of The Newsflesh Trilogy
  2. MIRA GRANT
  3. BOOK I
  4. Point of Infection
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. BOOK II
  11. Vectors and Victims
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. BOOK III
  18. The Mourning Edition
  19. Eleven
  20. Twelve
  21. Thirteen
  22. Fourteen
  23. Fifteen
  24. Sixteen
  25. Seventeen
  26. BOOK IV
  27. Immunological Memory
  28. Nineteen
  29. Twenty
  30. Twenty-one
  31. Twenty-two
  32. BOOK V
  33. The Rising
  34. Twenty-three
  35. Twenty-four
  36. Twenty-five
  37. Twenty-six
  38. Coda: Living for You
  39. Twenty-seven
  40. Acknowledgments
  41. extras
  42. meet the author
  43. introducing
  44. BOOK I
  45. From the Dead
  46. One
  47. Contents
  48. BY MIRA GRANT
  49. Praise for Feed
  50. Copyright

The shout came from behind me, rather than over the intercom or from the inside of my head. I barely squashed the urge to turn toward it, a motion that could be fatal in the field. I put two bullets into the zombie that was lunging at me, and shouted back, “What?”

“We’ve made the Jeep! Can you retreat?”

Could I retreat? “Well, that’s an interesting question, Becks!” I shouted. Aim, fire. Aim again. “Is there anything behind me? And what the fuck happened to honking?”

“Don’t move!”

“I can do that!” I fired again. Another zombie went down. And hell opened up behind me. Not literally, but the sound of an assault rifle can be similar. Becks, it seemed, had found more than just ammo under the seat. Dave and I were going to have a long talk about making sure I knew what my assets were before we let me head into the field.

“Clear!”

“Great!” My throat was starting to ache from all the shouting. I surveyed the zombies remaining in front of me. None of them looked fresh enough to put up a real chase, and so I did exactly what you’re not supposed to do in a field situation if you have any choice in the matter:

I took a chance.

I turned my back on the mob and ran for the Jeep, whacking anything that looked likely to move with my electric baton. Becks was in the back, covering the area, while Alaric sat in the passenger seat, looking shell-shocked.

Nothing grabbed me, and in just a few seconds, I was using the stripped-down frame to swing myself into the driver’s seat. I didn’t bother with the seat belt as I hit the gas, and we went roaring out of there, leaving the moaning remains of the Birds Landing zombie mob behind.

California is a fascinating place to live. Thanks to the weird geography and the microclimate zones, we have everything from mountain tundra to verdant forest, and that means we can be used as a case study for zombie preservation in almost any climate you can think of. We have some of the largest metro zones, and they’re close to some of the first counties to be declared legally abandoned. It’s like the whole state has multiple personality disorder.

Sometimes I think about moving someplace like New York or Washington, D.C., where the news is valued, but there aren’t as many actual outbreaks to worry about. Only Shaun would be totally miserable if I did that, because he’d follow me. He’ll always follow me, just like I’ll always follow him. That’s what being together means, right?

Neither of us ever has to be alone.

—From Postcards from the Wall, the unpublished files of Georgia Mason, originally posted January 9, 2041

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