Chapters (43)
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-one
- Chapter Twenty-two
- Chapter Twenty-three
- Chapter Twenty-four
- Chapter Twenty-five
- Chapter Twenty-six
- Chapter Twenty-seven
- Chapter Twenty-eight
- Chapter Twenty-nine
- Chapter Thirty
- Chapter Thirty-one
- Chapter Thirty-two
- Chapter Thirty-three
- Chapter Thirty-four
- Chapter Thirty-five
- Chapter Thirty-six
- Chapter Thirty-seven
- Chapter Thirty-eight
- Chapter Thirty-nine
- Chapter Forty
- Chapter Forty-one
- Chapter Forty-two
- Chapter Forty-three
The final third of the letter had a lock of golden hair taped to it. I held the picture up next to the letter.
The hair was Murphy's.
Mavra had her number. With pictures of her committing a felony (and with me aiding and abetting, no less), Mavra could have her out of the cops and behind bars in hours. But even worse was the lock of hair. Mavra was a skilled sorceress, and might have been as strong as a full-fledged wizard. With a lock of Murphy's hair, she could do virtually anything she pleased to Murph, and there wouldn't be squat anyone could do about it. Mavra could kill her. Mavra could worse than kill her.
It didn't take me long to make up my mind. In supernatural circles, a pledge of truce based upon a word of honor was an institution— especially among the old-world types like Mavra. If she was offering a truce so that we could talk, she meant it. She wanted to deal.
I stared down at the pictures.
She wanted to deal, and she was going to be negotiating from a position of strength. It meant blackmail.
And if I didn't play along, Murphy was as good as dead.
Chapter Two
The dog and I went to my grave. Graceland Cemetery is famous. You can look it up in just about any Chicago tour book—or God knows, probably on the Internet. It's the largest cemetery in town, and one of the oldest. There are walls, substantial ones, all the way around, and it has far more than its share of ghost stories and attendant shades. The graves inside range from simple plots with simple headstones to life-sized replicas of Greek temples, Egyptian obelisks, mammoth statues—even a pyramid. It's the Las Vegas of boneyards, and my grave is in it.
The cemetery isn't open after dark. Most aren't, and there's a reason for it. Everybody knows the reason, and nobody talks about it. It isn't because there are dead people in there. It's because there are not-quite-dead people in there. Ghosts and shadows linger in graveyards more than anywhere else, especially in the older cities of the country, where the oldest, biggest cemeteries are right there in the middle of town. That's why people build walls around graveyards, even if they're only two feet high—not to keep people out, but to keep other things in. Walls can have a kind of power in the spirit world, and the walls around graveyards are almost always filled with the unspoken intent of keeping the living and the unliving seated at different sections of the community dinner table.