A kind of response, interpreted in the flush of first contact as: <<You think you are everything, everywhere. You think that the world is not everything, everywhere, around you.>>

The coordinates of control for a dreadnought like Botch were so different than for Moss. They spoke not in fish nor in the language of moss. Because they were neither fish nor moss. Not in person-speech. Because they were not human.

But not in something newly made or ordered. Not machine language or codes or mazes. It had to be translated on either side, strained through layers, halting, pushing forward. Sometimes what translated into supposed words was emotion or reaction. Approximates that had to be trusted in the moment, before these approximates became slippery and escaped into the mire. Because the translation was a kind of virus, and Moss trusted she was infecting the fish and not the fish Moss.

<<What can this be seen as but attack?>> Botch didn’t say, would never say, and yet, in some sense, did say … but remained there in front of her. The stillness of Botch, staring out across the floating field of Moss-blossoms was her clue that he wanted to eat her. If only he could find a heart to rip out and devour among all those flowers.

This beast that could carry her, some part of her, some version. Could find a way or buy them more time, or times, of a sort. Not the mission as agreed to by Grayson or Chen. But what she had worked through with the fox. A way that appealed to the plant cells in her, the moss and the lichen. If nothing else.

She told Botch that she truly saw him. That she could trace Botch back through the outline of his scars. For there was not a part of Botch’s body that did not have scars and so he was now white as snow, white as preternatural, white as something that did not belong in the City. White had not the strength of stone nor the armor of death, of fossil. But was only weakness revealed, the language of the future.

Unwound each scar from Botch’s body, each as it had happened, and she told Botch, who had forgotten, what each scar meant, and how it had happened and why and what else had been in the world around Botch at the time. Each scar removed in this way that told the story of Botch’s long life, and with each story Botch gained with the loss, and at the end, bereft of scars and thus of wounds, stood before Moss shining with an original truth.

For an instant, Botch was new again and the eye was bright but the murder had left it.

I need something from you. Something important.

It was not a thing she could force, but Moss tired of force and felt diminished by force and wanted as little of that poison in her as she could manage.