Back Cutting Edge
Chapters (16)
  1. Title Page
  2. Acknowledgements
  3. ONE - OFFSHORE GABON, EQUATORIAL AFRICA
  4. TWO - VARIOUS LOCALES
  5. THREE - SAN JOSE, CALIFORNIA MADRID, SPAIN GABON, AFRICA
  6. FOUR - GABON, AFRICA CALIFORNIA
  7. FIVE - VARIOUS LOCALES
  8. SIX - CALIFORNIA GABON, AFRICA
  9. SEVEN - GABON, AFRICA SAN JOSE
  10. EIGHT - GABON, AFRICA CALIFORNIA
  11. NINE - CALIFORNIA
  12. TEN - VARIOUS LOCALES
  13. ELEVEN - VARIOUS LOCALES
  14. TWELVE - VARIOUS LOCALES
  15. THIRTEEN - SAN JOSE GABON, AFRICA
  16. EPILOGUE

The first series of high-resolution frames showed her lunching with another woman at an outdoor café. In the next, Kuhl saw her through the clear glass walls of Palo Alto’s main library branch on Newell Street, the camera following her as she checked out her pile of books at the loan desk and carried them onto the patio. The next group was taken from outside a clothing boutique. Through its storefront window, she had been photographed at the sales counter signing for a credit card purchase, then smiling at the cashier as she was handed her bags, then carrying them to the door. On the street, she had walked directly to her parked Lexus sedan and driven off with her purchases in the backseat.

There were more images of Ashley Gordian that Kuhl could have examined. Dozens more. Ciras and the others had recorded her movements on camera for almost two weeks, storing and sorting them in computer memory, e-mailing the encrypted files to him in Madrid.

But it was not the wife he leaned toward targeting.

Kuhl reached for his glass of mild wine and drank. Then he closed the folder he had been browsing, moved down a row, and selected another.

In this one, he found the daughter. She was lovely in her own right. Slim, dark haired, a firm well-proportioned body. Kuhl saw echoes of the mother in her—the smooth skin, the large green eyes, a certain underlying confidence in the lift of her shoulders, the straightness with which she bore herself.

He carefully studied the numbered screen shots in front of him. They composed a sequential record of Julia Gordian’s daily patterns of activity. An album of mundane, forgettable events that would allow Kuhl to plan and execute the unforgettable. There were images of the daughter in the company of friends, male and female. There were images of her shopping for groceries, bringing clothes to the dry cleaner, visiting the post office. There were images of her driving out to the canine rescue shelter where she volunteered her services, turning onto its hidden country drive outside the state park’s verdant spread of woodland. There were images of her pulling the vehicle into her garage on her return home. And images taken through her bedroom window. Kuhl studied these for a while, sipped his wine, then moved on. One series of photos followed her as she left the house in jogging clothes, the two race hounds attached to their leash at her side. They seemed to vibrate with tension, their taut whiplike forms emphasizing their predisposition toward flight. Nature had given them swiftness at the expense of courage; their breed was wind without stone. Faced with a threat, they would offer no protection, but attempt to escape from harm. Kuhl could almost see the fear glazing their eyes as they were pounced, their throat-blood spilling over the clamp of toothy jaws.

Kuhl stared at his computer screen and contemplated his mission in silence.