Chapters (38)
- Copyright Notice
- FOREWORD
- CLIFFS OF FALL
- THE PARTY
- A PLACE IN THE COUNTRY
- VITTORIO
- IN ONE’S OWN HOUSE
- VILLA ADRIANA
- CLIFFS OF FALL
- WEEKEND
- HAROLD
- THE PICNIC
- THE WORST MOMENT OF THE DAY
- PEOPLE IN GLASS HOUSES
- NOTHING IN EXCESS
- THE FLOWERS OF SORROW
- THE MEETING
- SWOBODA’S TRAGEDY
- THE STORY OF MISS SADIE GRAINE
- OFFICIAL LIFE
- A SENSE OF MISSION
- THE SEPARATION OF DINAH DELBANCO
- UNCOLLECTED / UNPUBLISHED
- WOOLLAHRA ROAD
- FORGIVING
- COMFORT
- OUT OF ITEA
- THE EVERLASTING DELIGHT
- THE STATUE AND THE BUST
- LEAVE IT TO ME
- SIR CECIL’S RIDE
- LE NOZZE
- THE SACK OF SILENCE
- EDITOR’S NOTE
- Also by Shirley Hazzard
- Praise for Collected Stories
- A NOTE ABOUT THE AUTHOR
- Newsletter Sign-up
How sad it was. Looking into his face just now, finding nothing of interest, she had been so pierced by sadness that tears filled her eyes and she had to bend over the stain on her dress to hide her face. It was absurd that they should face each other this way—antagonistically, in silence—simply because they had once been so close. She would have done anything for him. Even though she no longer cared for him, saw his weakness quite clearly, still she would do anything for him. She cared for him, now, less than for any man she knew, and yet she would have done anything.… It was a pity about her dress, though—wine was absolutely the worst thing; it would never come out.
Upright on her rock, May gave a short, exhausted sigh. She closed her eyes for a moment, to clear them, and Ivor called out to her that she must watch him, watch the game. She looked back at him without smiling. On either side, her palms were pressed hard against the stone.
THE WORST MOMENT OF THE DAY
“This is the worst moment of the day,” said Daniele.
The table—with the emptied wine flasks, the grapes and figs left in large bowls, the clusters of stained napkins—was like a beach from which the tide had ebbed. Conversation had dwindled until slow afternoon sounds could be heard through shutters striped with heat.
The long room had windows at each end, and on one side opened through double doors into the drawing room. The opposite wall, slate blue, was bare except for two paintings hung together like illuminations on a blank page. They were landscapes painted by Marina some years ago, before she and her brother turned the villa into a pensione and her time ceased to be her own. She sat at the head of the table, straight and slender in a faded green dress, red-gold hair falling on her shoulders. Her hands were loosely clasped in her lap, and in her face poetry and reason met without the customary signs of struggle. She turned toward her brother’s remark with a faint smile.
As though at a signal, the diners drew themselves together to surmount this worst of moments. Chairs scraped, a glass was knocked over; some inconclusive suggestion was made for a drive down to Florence in the evening.