Back Collected Stories
Chapters (38)
  1. Copyright Notice
  2. FOREWORD
  3. CLIFFS OF FALL
  4. THE PARTY
  5. A PLACE IN THE COUNTRY
  6. VITTORIO
  7. IN ONE’S OWN HOUSE
  8. VILLA ADRIANA
  9. CLIFFS OF FALL
  10. WEEKEND
  11. HAROLD
  12. THE PICNIC
  13. THE WORST MOMENT OF THE DAY
  14. PEOPLE IN GLASS HOUSES
  15. NOTHING IN EXCESS
  16. THE FLOWERS OF SORROW
  17. THE MEETING
  18. SWOBODA’S TRAGEDY
  19. THE STORY OF MISS SADIE GRAINE
  20. OFFICIAL LIFE
  21. A SENSE OF MISSION
  22. THE SEPARATION OF DINAH DELBANCO
  23. UNCOLLECTED / UNPUBLISHED
  24. WOOLLAHRA ROAD
  25. FORGIVING
  26. COMFORT
  27. OUT OF ITEA
  28. THE EVERLASTING DELIGHT
  29. THE STATUE AND THE BUST
  30. LEAVE IT TO ME
  31. SIR CECIL’S RIDE
  32. LE NOZZE
  33. THE SACK OF SILENCE
  34. EDITOR’S NOTE
  35. Also by Shirley Hazzard
  36. Praise for Collected Stories
  37. A NOTE ABOUT THE AUTHOR
  38. Newsletter Sign-up

Like some desolating childhood disappointment, she thought, this anxiety to get away when she had so longed to come here—so longed to see them, and to see Julie most of all. Because, even though Ben was her own brother, it was to Julie she felt closer; Julie she had missed more in these two years away. Given only this weekend, Lilian felt the need to precipitate confidences—“Are you happy, is this really what you want?” she had almost asked Julie last night, coming upstairs. Which was nonsense, impertinence; one couldn’t ask it, and in any case Julie would have laughed and told Ben afterward (“Whatever do you think Lilian said to me?”). Married couples always betrayed their friends that way—probably for something to say, being so much together. And Ben, indifferent, would say: “How perfectly extraordinary,” or “I’m not in the least surprised,” or “Poor old Lilian.”

Lilian’s room was in the old part of the house—seventeenth-century, Julie had said. Lilian allowed a century either way, for Julie’s imprecision and the exaggeration of the estate agent. She lay approving the uneven walls, the heavy beams of the roof, the sturdy irregularities of the window and door. The only furniture other than her bed was a new chest of drawers, a cane chair, and a small, unsteady table. On this table stood a china lamp and Poets of the Present, a frayed volume in which Thomas Hardy was heavily represented. The room—in fact, the whole house—looked bare. They needed so many things, Julie had said—practically everything—but for a while nothing more could be done; buying the house had taken every penny. On Friday, when Lilian arrived, Julie had shown her around, walking through the rooms with her hand in the crook of Lilian’s arm, separating apologetically at doorways. (All the rooms were at slightly different levels, and there was a step or two at each entrance—sometimes dropping, dangerously, beyond a closed door.) Julie’s shy, artless face, lowered so that strands of silky hair drooped on Lilian’s shoulder, had seemed tired, frail. Her sweater and skirt were aged, unheeded. Too much for her, Lilian thought, this house, and the baby, though I’m sure it’s lovely. “Lovely,” she had repeated later, in the nursery, over a mound of blue blanket. In the hallway, it was Lilian who linked their arms again.