Back Collected Stories
Chapters (38)
  1. Copyright Notice
  2. FOREWORD
  3. CLIFFS OF FALL
  4. THE PARTY
  5. A PLACE IN THE COUNTRY
  6. VITTORIO
  7. IN ONE’S OWN HOUSE
  8. VILLA ADRIANA
  9. CLIFFS OF FALL
  10. WEEKEND
  11. HAROLD
  12. THE PICNIC
  13. THE WORST MOMENT OF THE DAY
  14. PEOPLE IN GLASS HOUSES
  15. NOTHING IN EXCESS
  16. THE FLOWERS OF SORROW
  17. THE MEETING
  18. SWOBODA’S TRAGEDY
  19. THE STORY OF MISS SADIE GRAINE
  20. OFFICIAL LIFE
  21. A SENSE OF MISSION
  22. THE SEPARATION OF DINAH DELBANCO
  23. UNCOLLECTED / UNPUBLISHED
  24. WOOLLAHRA ROAD
  25. FORGIVING
  26. COMFORT
  27. OUT OF ITEA
  28. THE EVERLASTING DELIGHT
  29. THE STATUE AND THE BUST
  30. LEAVE IT TO ME
  31. SIR CECIL’S RIDE
  32. LE NOZZE
  33. THE SACK OF SILENCE
  34. EDITOR’S NOTE
  35. Also by Shirley Hazzard
  36. Praise for Collected Stories
  37. A NOTE ABOUT THE AUTHOR
  38. Newsletter Sign-up

“And there is the spot where Byron landed.” She says it in English, in honor of the occasion—not loudly but in the slightly oratorical manner of guides, so that the Irish couple and the stocky teacher turn to look, and the chauffeur comes over to the rail. There is a sloping headland, a bay, another tiny port.

“He landed there,” says the teacher to her friend, who has not heard.

“Apollo?”

“Byron,” she says, but as if the confusion were understandable.

Only the Norwegians have shown no interest. They sit together with their hands linked, their feet on the lower rung of the rail, and look at the sea. Once they look at each other. A look such as that, though it passes between two people in a fraction of a second, is seen by everyone and is unforgettable.

Without speaking she releases his hand and brings the crumpled paper bag up from beneath her deck chair. In the bag there is a newspaper parcel and she unwraps this, spreading the paper over her knees. Pairing what she finds inside—two small loaves stuffed with cheese, two boiled eggs, and several tomatoes—she is calm, engrossed, more mysterious than Eleusis, more romantic than Byron. He reaches over to eat from her lap—from the little table made by her spread knees and the sheet of paper covered with Greek characters and centered by a photograph of King Constantine.

They have been sailing for some time in a more open sea. Coming upstairs with a loaded tray, the waiter does a little dance on the deck to steady himself. There are omelets, plates of goat cheese and cucumbers, and unmarked bottles of retsina, and a thick tile of bread is laid beside each plate. There are even paper napkins, which presently blow overboard.

The boy, who has finished his last tomato, is the more genteel of the pair. He gathers together the eggshells and bread crumbs and puts them in the paper bag, which he sternly prevents her from throwing into the Gulf of Corinth. The waiter takes it away and they resume their positions, lightly holding hands. In a moment the girl is asleep, her shorn head tilted back, her pale gorge prominent in her sunburned neck.