Back Chain of Iron
Chapters (49)
  1. Dedication
  2. PART ONE
  3. LONDON: EAST END
  4. 1 THE BRIGHT WEB
  5. 2 ALL THAT TURNS
  6. GRACE: 1893–1896
  7. 3 BITTER AND SWEET
  8. 4 A GOOD NAME
  9. 5 THE KING IS DEAD
  10. LONDON: 48 CURZON STREET
  11. 6 THINGS TO COME
  12. GRACE: 1896
  13. 7 TREAD LIGHTLY
  14. LONDON: FINCH LANE
  15. 8 TO BRING A FIRE
  16. 9 THE SCARS REMAINING
  17. LONDON: SHOE LANE
  18. 10 THE DAMNED EARTH
  19. GRACE: 1897
  20. 11 CROWNS AND POUNDS AND GUINEAS
  21. LONDON: SHEPHERD MARKET
  22. 12 REQUIEM
  23. GRACE: 1899
  24. 13 THE WINTRY WIND
  25. 14 THE FLAMING FORGE
  26. 15 WALK BY DAYTIME
  27. 16 DARK BREAKS TO DAWN
  28. LONDON: GOLDEN SQUARE
  29. PART TWO
  30. 17 PROPHET OF EVIL
  31. 18 GOBLIN MARKET
  32. 19 THINE OWN PALACE
  33. 20 EQUAL TEMPER
  34. GRACE: 1899–1900
  35. 21 HELL’S OWN TRACK
  36. 22 HEART OF IRON
  37. GRACE: 1903
  38. 23 A SILKEN THREAD
  39. 24 HE SHALL RISE
  40. 25 ARCHANGEL RUINED
  41. 26 OLDER THAN GODS
  42. 27 WAKE WITH WINGS
  43. GRACE: 1900
  44. 28 NO WISE MAN
  45. 29 A BROKEN MIRROR
  46. Epilogue
  47. NOTES ON THE TEXT
  48. ACKNOWLEDGMENTS
  49. ABOUT THE AUTHOR

“I did,” James said. At her surprised look, he added, “Perhaps I should show you around the house? And Risa, perhaps Effie could set out a simple supper? I believe you said something about tea.”

“Who’s Effie?” Cordelia whispered, while Risa, Cortana in hand, led the coachman upstairs with the bags.

“New maid. Risa hired her. Apparently she used to work for the Pouncebys,” said James, as Cordelia followed him into a large dining room with a thick carpet, a marble fireplace, and tall windows overlooking Curzon Street. Her eye was immediately drawn to a set of four illuminated drawings arranged on the wall. James watched her nervously, the fingers of his right hand tapping against his leg, as she approached them.

They were Persian miniatures done in richly pigmented shades of scarlet and cobalt and gold. She spun to look at James in astonishment. “Where did you find these?”

“An antiquities shop in Soho,” James said. She still couldn’t quite read his expression. “They were selling off the estate of a Persian merchant living abroad.”

Cordelia leaned close to examine the beautiful nasta‘ lı¯q calligraphy above the images of prophets and acolytes and musicians, birds and horses and rivers. “This is by Rumi,” she whispered, recognizing a verse: The wound is the place where the Light enters you. It had always been one of her favorites.

Her heart beating quickly, she turned to take in the rest of the room, with its silk-covered walls, its elaborately filigreed chandelier and rosewood table and chairs with carved details.

“The table expands to seat sixteen,” James said. “Though I’m not sure I know that many people I’d want to have dinner with. Come see the rest of the house.”

Cordelia followed him into the corridor, her full skirts barely fitting through the doorway. There was a beautiful drawing room, papered in blue and white, with a massive piano; skipping the study, they headed downstairs to a kitchen full of warm yellow light. A small door in the wall led out to a patch of garden—snow-covered now, but there were rose trellises whose flowers would bloom in summer.

A maid in a black dress—Effie, Cordelia assumed—marched into the kitchen, an empty tray in her hand. She eyed James and Cordelia speculatively, as if sizing them up for sale. She had steel-gray hair swept up in a pompadour, and a gimlet eye. “I’ve laid on some food for you in the study,” she said, without bothering to introduce herself. “It won’t be nearly so good when it’s cold.”

The corner of James’s mouth twitched. “Then I suppose we’d better eat it now,” he said to Cordelia, with an expression of great seriousness, and led her upstairs.