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Chapters (49)
  1. Dedication
  2. PART ONE
  3. LONDON: EAST END
  4. 1 THE BRIGHT WEB
  5. 2 ALL THAT TURNS
  6. GRACE: 1893–1896
  7. 3 BITTER AND SWEET
  8. 4 A GOOD NAME
  9. 5 THE KING IS DEAD
  10. LONDON: 48 CURZON STREET
  11. 6 THINGS TO COME
  12. GRACE: 1896
  13. 7 TREAD LIGHTLY
  14. LONDON: FINCH LANE
  15. 8 TO BRING A FIRE
  16. 9 THE SCARS REMAINING
  17. LONDON: SHOE LANE
  18. 10 THE DAMNED EARTH
  19. GRACE: 1897
  20. 11 CROWNS AND POUNDS AND GUINEAS
  21. LONDON: SHEPHERD MARKET
  22. 12 REQUIEM
  23. GRACE: 1899
  24. 13 THE WINTRY WIND
  25. 14 THE FLAMING FORGE
  26. 15 WALK BY DAYTIME
  27. 16 DARK BREAKS TO DAWN
  28. LONDON: GOLDEN SQUARE
  29. PART TWO
  30. 17 PROPHET OF EVIL
  31. 18 GOBLIN MARKET
  32. 19 THINE OWN PALACE
  33. 20 EQUAL TEMPER
  34. GRACE: 1899–1900
  35. 21 HELL’S OWN TRACK
  36. 22 HEART OF IRON
  37. GRACE: 1903
  38. 23 A SILKEN THREAD
  39. 24 HE SHALL RISE
  40. 25 ARCHANGEL RUINED
  41. 26 OLDER THAN GODS
  42. 27 WAKE WITH WINGS
  43. GRACE: 1900
  44. 28 NO WISE MAN
  45. 29 A BROKEN MIRROR
  46. Epilogue
  47. NOTES ON THE TEXT
  48. ACKNOWLEDGMENTS
  49. ABOUT THE AUTHOR

Ariadne had risen to her feet. She began to look about for her discarded clothes. In the past, when she had not dressed quickly enough, Anna—whose masculine attire was much easier to don and doff—had departed without her, leaving her to find her own way out of the Ruelle. “No.”

Anna sat up. “I’m not being dishonest with you, Ari. I’ve told you exactly what I have to offer. If it’s not enough, I won’t blame you if you leave.”

Ariadne stepped into her petticoats. “I’m not leaving.”

Anna looked at her with real curiosity. “Why not?”

“Because,” Ariadne said, “when you want something very much, you are willing to accept the shadow of that thing. Even if it is just a shadow.”

LONDON: SHEPHERD MARKET

It was a grimy dawn, yellow light beginning to seep through the cracks in the heavy gray clouds, when the man half tumbled out of the pub and into the square. He limped along toward Half Moon Street, past the hodgepodge of shops—greengrocers, butchers—that lined the central square. The neighborhood had its charms despite the close quarters and grime, but the man took no notice. He had not been the last patron in Ye Grapes, but the others had drunk themselves unconscious and would soon be treated to a complimentary trip out the back door, where they would be unceremoniously deposited on the pavement to await the coming day.

The killer slipped from one doorway to the next, trailing his prey more for sport than necessity. Stealth was hardly needed here. The man was staggering drunk, singing a tuneless little song, his breath puffing out in white clouds as it met the icy air. He did not seem to feel the cold in his battered coat.

The girl had been too ready, too quickly. She had turned the killer’s own blade on him, sinking it deep into his shoulder. Her death had been messy, fast and brutal; afterward he had been forced to slip away and hide, abandoning the bloody evidence in an empty factory in Limehouse. As he swiftly healed, he had heard the scrape and chitter of an Ourobas demon nearby, drawn by the scent of murder and blood. He did not fear it; demons knew him as kin now.

But he was angry. There would be no more such accidents.

The killer quickened his pace. One, two, three strides and he was upon the man. He grabbed his shoulder roughly and spun him around, shoving him up against a cold brick wall. The man blinked in anger, then confusion. His mouth opened, and a single word passed his lips just before the knife went into his chest:

“You?”

12 REQUIEM

This be the verse you grave for me:

Here he lies where he longed to be;

Home is the sailor, home from sea,

And the hunter, home from the hill.

—Robert Louis Stevenson, “Requiem”