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Chapters (49)
  1. Dedication
  2. PART ONE
  3. LONDON: EAST END
  4. 1 THE BRIGHT WEB
  5. 2 ALL THAT TURNS
  6. GRACE: 1893–1896
  7. 3 BITTER AND SWEET
  8. 4 A GOOD NAME
  9. 5 THE KING IS DEAD
  10. LONDON: 48 CURZON STREET
  11. 6 THINGS TO COME
  12. GRACE: 1896
  13. 7 TREAD LIGHTLY
  14. LONDON: FINCH LANE
  15. 8 TO BRING A FIRE
  16. 9 THE SCARS REMAINING
  17. LONDON: SHOE LANE
  18. 10 THE DAMNED EARTH
  19. GRACE: 1897
  20. 11 CROWNS AND POUNDS AND GUINEAS
  21. LONDON: SHEPHERD MARKET
  22. 12 REQUIEM
  23. GRACE: 1899
  24. 13 THE WINTRY WIND
  25. 14 THE FLAMING FORGE
  26. 15 WALK BY DAYTIME
  27. 16 DARK BREAKS TO DAWN
  28. LONDON: GOLDEN SQUARE
  29. PART TWO
  30. 17 PROPHET OF EVIL
  31. 18 GOBLIN MARKET
  32. 19 THINE OWN PALACE
  33. 20 EQUAL TEMPER
  34. GRACE: 1899–1900
  35. 21 HELL’S OWN TRACK
  36. 22 HEART OF IRON
  37. GRACE: 1903
  38. 23 A SILKEN THREAD
  39. 24 HE SHALL RISE
  40. 25 ARCHANGEL RUINED
  41. 26 OLDER THAN GODS
  42. 27 WAKE WITH WINGS
  43. GRACE: 1900
  44. 28 NO WISE MAN
  45. 29 A BROKEN MIRROR
  46. Epilogue
  47. NOTES ON THE TEXT
  48. ACKNOWLEDGMENTS
  49. ABOUT THE AUTHOR

“The way you look at him,” Matthew said simply. “I know you did not mean for this marriage to happen, that you did not scheme for it. Indeed, it must be a special sort of torture for you. And I am sorry for it. You deserve to be happy.”

Cordelia looked at him in surprise. She had, she realized, never thought of Matthew as enormously insightful. She had not thought he took things seriously enough for that.

“I know what it’s like to hide what you feel,” he said. “I know what it’s like to be in pain and not be able to explain why. I know why you’re not with James tonight. Because when we are in pain, we are flayed open, and when we are flayed open, we cannot hide our true selves. And you cannot bear for him to know that you love him.”

“How did you learn all this?” Cordelia demanded. “When did you become so wise?”

“I have known unrequited love myself, in the past.”

“Is that why you are so very sad?” Cordelia said.

Matthew was silent. “I did not know,” he said, after a moment, “that I seemed sad, to you.”

Cordelia shivered a little, though it was not cold in the room. “There is something weighing on you, Matthew,” she said gently. “A secret. I know it, as you knew I was in love with James. Will you tell me what it is?”

She saw his hand go to his breast pocket, where he often kept his flask. Then he lowered it stiffly to his side and took a deep breath. “You do not know what you are asking.”

“Yes, I do,” she said. “I am asking for the truth. Your truth. You know mine, and I do not even know what makes you so unhappy.”

It was as if he had frozen, sitting there at the end of her bed, a Matthew-statue. Only his fingers moved, tracing the embroidery on a pillow. When he spoke, finally, his voice sounded almost like a stranger’s—not Matthew’s usual bright, water-swift tones, but something much deeper, and more still. “I have told no one this story,” he said. “Not in all my life. Jem knows it. No one else. It is perhaps the very height of foolishness to tell you, and to ask you to keep it from James. I have never told him myself.”

Cordelia hesitated. “I cannot promise to hide it from him.”

“Then I can only leave it to your judgment, and hope you will share my opinion that it would do him no good to know,” Matthew said. “But beware. This story is also about Alastair, though I do not think he knows all of it.”

“James told me some of it, then. The rumors Alastair spread. Perhaps you think I am terrible, still loving him.”