Back Chain of Iron
Chapters (49)
  1. Dedication
  2. PART ONE
  3. LONDON: EAST END
  4. 1 THE BRIGHT WEB
  5. 2 ALL THAT TURNS
  6. GRACE: 1893–1896
  7. 3 BITTER AND SWEET
  8. 4 A GOOD NAME
  9. 5 THE KING IS DEAD
  10. LONDON: 48 CURZON STREET
  11. 6 THINGS TO COME
  12. GRACE: 1896
  13. 7 TREAD LIGHTLY
  14. LONDON: FINCH LANE
  15. 8 TO BRING A FIRE
  16. 9 THE SCARS REMAINING
  17. LONDON: SHOE LANE
  18. 10 THE DAMNED EARTH
  19. GRACE: 1897
  20. 11 CROWNS AND POUNDS AND GUINEAS
  21. LONDON: SHEPHERD MARKET
  22. 12 REQUIEM
  23. GRACE: 1899
  24. 13 THE WINTRY WIND
  25. 14 THE FLAMING FORGE
  26. 15 WALK BY DAYTIME
  27. 16 DARK BREAKS TO DAWN
  28. LONDON: GOLDEN SQUARE
  29. PART TWO
  30. 17 PROPHET OF EVIL
  31. 18 GOBLIN MARKET
  32. 19 THINE OWN PALACE
  33. 20 EQUAL TEMPER
  34. GRACE: 1899–1900
  35. 21 HELL’S OWN TRACK
  36. 22 HEART OF IRON
  37. GRACE: 1903
  38. 23 A SILKEN THREAD
  39. 24 HE SHALL RISE
  40. 25 ARCHANGEL RUINED
  41. 26 OLDER THAN GODS
  42. 27 WAKE WITH WINGS
  43. GRACE: 1900
  44. 28 NO WISE MAN
  45. 29 A BROKEN MIRROR
  46. Epilogue
  47. NOTES ON THE TEXT
  48. ACKNOWLEDGMENTS
  49. ABOUT THE AUTHOR

He pushed himself away from the wall. He was truly agitated now, she realized, so much so that when he gestured, the movement of his hands seemed to shimmer in the air. It was something she had seen before, when ghosts became desperately upset—not that she wanted to think of Jesse as an ordinary sort of ghost like Jessamine, or Old Mol. “It’s almost a joke,” he said, and the bitterness in his voice surprised her. “A ghost falling in love with a living girl and pining away in a dusty attic while she lives her life. But I could survive that, Lucie. It would just be a tragedy for me.”

A ghost falling in love.

A small flame lit in Lucie’s chest. An ember, the beginning of a blaze. “It’s never a tragedy to love somebody.”

“I think Romeo and Juliet would disagree with you on that.” His voice shook. “And don’t you see? If—if you loved me back, then that is not just a tragedy for one of us; it’s a tragedy for both of us. For there can be no future in it.”

“Jesse,” she said. “Jesse, are you shivering?”

He looked up and around him with a sort of amazement. For a moment she saw the boy who’d saved her in Brocelind Forest when she was a child, the one she’d thought was some sort of changeling prince—pale-skinned and green-eyed. “I think,” he said, in a hushed voice, “that at this moment, perhaps, I am able to feel the wind.”

“See?” She caught hold of his hand; it was neither warm nor cold, but seemed to catch warmth from her own skin, his fingers curling over hers. “We have a future. I promise you we do—”

He stroked his free hand down the side of her cheek. “Command me, Lucie,” he said roughly. “I am asking you: command me to dance with you. Show me this waltz from Peru.”

Very slowly, her eyes never leaving his, Lucie unbuttoned her coat, slipping each circle of leather out of its buttonhole with gloved fingers. At last she stood before him, the coat hanging from her shoulders, the wind plastering the lacy scraps of her dress to her body. Jesse could not seem to look away; she could feel the gold locket at her throat rise and fall with her breath.

“Dance with me, Jesse Blackthorn,” she said. “I command you.”

He reached out, sliding his arms inside her coat, pulling her against him. She laid a palm against his shoulder; his free hand spanned the side of her waist. She fitted her body to his, and color swept into his face, flushing his cheeks. She did not question it. One should not, she felt instinctively, question miracles too closely.