Back Chain of Gold
Chapters (38)
  1. Dedication
  2. PART ONE
  3. DAYS PAST: 1897
  4. 1 BETTER ANGELS
  5. DAYS PAST: IDRIS, 1899
  6. 2 ASHES OF ROSES
  7. 3 THIS LIVING HAND
  8. DAYS PAST: CIRENWORTH HALL, 1900
  9. 4 HALF SICK OF SHADOWS
  10. 5 FALLEN WITH THE NIGHT
  11. DAYS PAST: IDRIS, 1900
  12. 6 NO MORE OF MIRTH
  13. DAYS PAST: IDRIS, 1900
  14. 7 FALL OF SONGS
  15. 8 NO STRANGE LAND
  16. 9 DEADLY WINE
  17. DAYS PAST: PARIS, 1902
  18. 10 LOYALTY BINDS
  19. 11 TALISMANS AND SPELLS
  20. 12 THE END OF IT
  21. 13 BLUE RUIN
  22. 14 AMONG LIONS
  23. PART TWO
  24. 15 THE WHISPERING ROOM
  25. 16 LEGION
  26. DAYS PAST: CIRENWORTH HALL, 1900
  27. 17 THE HOLLOW SEA
  28. DAYS PAST: LONDON, GROSVENOR SQUARE, 1901
  29. 18 DARKNESS STIRS
  30. 19 ALL PLACES HELL
  31. 20 LESS THAN GODS
  32. DAYS PAST: CIRENWORTH HALL, 1898
  33. 21 BURN
  34. 22 THE RULES OF ENGAGEMENT
  35. 23 NO ONE WHO LOVES
  36. Epilogue CHISWICK HOUSE, LONDON
  37. NOTES ON THE TEXT
  38. ABOUT THE AUTHOR

She moved closer, keeping to the shadows. The gardens were a ruin. Once there had been neat hedgerows, but they were overgrown now, a mess of shrubbery leading in all directions. The marble statues of Virgil, Sophocles, and Ovid had been smashed to jagged pieces that protruded upward from broken plinths. In the center of the whole mess was a square brick structure, like an old storage shed.

As she moved toward it, she saw the flicker of light once again. It was stronger now, and seemed to be rising over the walls of the small structure, as if it had no roof, though that was not unusual for old buildings—the roof was often the first thing to go. It certainly had no windows, but the light continued to shine steadily from within.

Consumed by curiosity, Lucie reached the square little building and stared. It appeared to have been built long ago, of large and sturdy stone. There was a door in one side; though it was closed, light gleamed beneath the door.

As Lucie watched, the light moved. Someone, or something, was very definitely inside.

Throwing caution to the wind, Lucie began to climb one of the walls.

She reached the top almost immediately. The structure was indeed roofless: open to the elements despite the four thick walls. Lucie flattened herself atop the wall she’d climbed and stared down into the space below.

It was a single room, bare of any decoration save a sword hanging upon one wall. It bore a crosspiece carved with thorns, the symbol of the Blackthorn family. In the center of the room was a table, on which rested a coffin. Standing beside the coffin was Grace Blackthorn, a witchlight torch in her right hand. Her left hand lay atop the coffin, her slim fingers outspread as if she could reach through the glass front and touch the body within.

For the coffin was made of glass, like the coffin of Snow White in fairy tales. And lying within it was Jesse Blackthorn—hair as black as ebony, skin as white as snow. His lips were not red as blood, though: they were pale and set, and his eyes were closed. He wore a suit of funeral white—it was jarring to see him in something other than the clothes he had died in—and his hands were crossed over his chest.

Lucie gripped the wall tightly. Jesse’s body. It had probably only been in this shed a short time—Tatiana would have kept her son with her in Idris until they came to London. But why hadn’t she simply put Jesse inside the main house, rather than in this odd little structure? Somewhere where there would have been a roof over him?