Chapters (38)
- Dedication
- PART ONE
- DAYS PAST: 1897
- 1 BETTER ANGELS
- DAYS PAST: IDRIS, 1899
- 2 ASHES OF ROSES
- 3 THIS LIVING HAND
- DAYS PAST: CIRENWORTH HALL, 1900
- 4 HALF SICK OF SHADOWS
- 5 FALLEN WITH THE NIGHT
- DAYS PAST: IDRIS, 1900
- 6 NO MORE OF MIRTH
- DAYS PAST: IDRIS, 1900
- 7 FALL OF SONGS
- 8 NO STRANGE LAND
- 9 DEADLY WINE
- DAYS PAST: PARIS, 1902
- 10 LOYALTY BINDS
- 11 TALISMANS AND SPELLS
- 12 THE END OF IT
- 13 BLUE RUIN
- 14 AMONG LIONS
- PART TWO
- 15 THE WHISPERING ROOM
- 16 LEGION
- DAYS PAST: CIRENWORTH HALL, 1900
- 17 THE HOLLOW SEA
- DAYS PAST: LONDON, GROSVENOR SQUARE, 1901
- 18 DARKNESS STIRS
- 19 ALL PLACES HELL
- 20 LESS THAN GODS
- DAYS PAST: CIRENWORTH HALL, 1898
- 21 BURN
- 22 THE RULES OF ENGAGEMENT
- 23 NO ONE WHO LOVES
- Epilogue CHISWICK HOUSE, LONDON
- NOTES ON THE TEXT
- ABOUT THE AUTHOR
“Because he hates that his hair and skin and eyes are dark,” said Cordelia. “He always has. We have a country house in Devon, and people used to stare when we went into the village.”
Anna’s eyebrows had ceased swooping and taken on a decidedly menacing look. “People are—” She broke off with a sigh and a word Cordelia didn’t know. “Now I rather feel sympathy toward your brother, and that was the last thing I wanted. Quick, ask me a question.”
“Why did you want to get to know me?” Cordelia said. “I’m younger than you, and you must know loads more interesting people.”
Anna rose, and her silk robe fluttered. “I must get changed,” she said, vanishing into the bedroom. She closed the door, but the walls were thin: Cordelia could hear her perfectly well when she spoke again. “Well, at first, it was because you’re a new girl in our set, and I was wondering if you were good enough for our Jamie or our Matthew.”
“Good enough for them in what sense?”
“Well, marriage of course,” said Anna. “Anything else would be scandalous.”
Cordelia sputtered. She heard Anna laugh. She had a soft, rich laugh, like melting butter.
“You are too much fun to tease,” she said. “I meant good enough to know their secrets—and Christopher’s and Tom’s as well. They are my special favorites, those four, you must have noticed. And, well, the current crop of girls in London is rather dire—of course, Lucie’s a delight, but she’ll never look at any of the boys as anything but brothers.”
“Seems sensible,” Cordelia murmured, “especially in James’s case.”
“They need a muse,” said Anna. “Someone to be inspired by. Someone to know their secrets. Would you like to be a muse?”
“No,” said Cordelia. “I would like to be a hero.”
Anna poked her head out of the door and looked at Cordelia for a long time from under her dark lashes. Then she smiled. “I suspected as much,” she said, vanishing back into the bedroom. The door banged shut. “That’s really why I asked you here.”
Cordelia’s head was spinning. “What do you mean?”
“We are in danger,” called Anna. “All of us, and the Clave will not see it. I am afraid if steps are not taken, it will be too late for Barbara and Piers and—and Ariadne.” There was a slight tremor in her voice. “I need your help.”
“But what can I—” Cordelia began, and broke off as she heard the downstairs front door bang open.
“Anna!” A deep male voice echoed up the stairwell. It was soon joined by the tread of running feet, and Matthew Fairchild burst into Anna’s parlor.