Back Chain of Gold
Chapters (38)
  1. Dedication
  2. PART ONE
  3. DAYS PAST: 1897
  4. 1 BETTER ANGELS
  5. DAYS PAST: IDRIS, 1899
  6. 2 ASHES OF ROSES
  7. 3 THIS LIVING HAND
  8. DAYS PAST: CIRENWORTH HALL, 1900
  9. 4 HALF SICK OF SHADOWS
  10. 5 FALLEN WITH THE NIGHT
  11. DAYS PAST: IDRIS, 1900
  12. 6 NO MORE OF MIRTH
  13. DAYS PAST: IDRIS, 1900
  14. 7 FALL OF SONGS
  15. 8 NO STRANGE LAND
  16. 9 DEADLY WINE
  17. DAYS PAST: PARIS, 1902
  18. 10 LOYALTY BINDS
  19. 11 TALISMANS AND SPELLS
  20. 12 THE END OF IT
  21. 13 BLUE RUIN
  22. 14 AMONG LIONS
  23. PART TWO
  24. 15 THE WHISPERING ROOM
  25. 16 LEGION
  26. DAYS PAST: CIRENWORTH HALL, 1900
  27. 17 THE HOLLOW SEA
  28. DAYS PAST: LONDON, GROSVENOR SQUARE, 1901
  29. 18 DARKNESS STIRS
  30. 19 ALL PLACES HELL
  31. 20 LESS THAN GODS
  32. DAYS PAST: CIRENWORTH HALL, 1898
  33. 21 BURN
  34. 22 THE RULES OF ENGAGEMENT
  35. 23 NO ONE WHO LOVES
  36. Epilogue CHISWICK HOUSE, LONDON
  37. NOTES ON THE TEXT
  38. ABOUT THE AUTHOR

“Be charming,” said Anna. “Ask questions. See what we can learn.” She held out a gloved hand. “Come, come. Get up. Is the carriage downstairs, Matthew?”

“At your service,” said Matthew. “Are you quite sure you want to come, Cordelia? It will be scandalous.”

Cordelia didn’t bother to reply, just retrieved Cortana as they left the flat. It was dark outside; the air was chilly and dank. A carriage with the Consul’s coat of arms painted across the door waited for them at the curb. Someone had left a pile of roses with the heads snipped off on the front steps. Evangeline, or a different girl?

“So what kind of salon is this, exactly?” Cordelia inquired, as the carriage door swung open and Matthew helped her inside. One of the Consul’s servants, a middle-aged man with brown hair, sat impassively up front in the box seat.

She had heard of salons, of course—gatherings where the great and the famous and the noble came together to appreciate art and poetry. It was rumored that more daring things happened at salons as well, in the shadows and the dark gardens, couples gathering to tryst where no one could see them.

Anna and Matthew scrambled up after her, Anna disdaining Matthew’s helping hand. “An exclusive one,” said Anna, settling back on the velvet bench seat. “Some of the most famous Downworlders in the world attend.”

The carriage set off at a clip.

Anna said, “Some you may have heard of; some you may not. Some with reputations they don’t deserve—and some with reputations they more than do.”

“I never thought of Downworlders as being interested in painting and poetry,” said Cordelia. “But I suppose there is no reason they shouldn’t be, is there? It’s just those aren’t things that Shadowhunters do. We don’t create like that.”

“We can,” Matthew said. “We are simply told we shouldn’t. Do not confuse conditioning with a native inability.”

“Do you create, Matthew?” asked Cordelia, looking at him sharply. “Do you draw, or paint, or pen poetry?”

“Lucie writes,” said Matthew, his eyes like dark water. “I thought she wrote for you, sometimes.”

“Lucie worries,” said Cordelia. “She doesn’t say so, but I know she worries, that all her writing will come to nothing, because she is a Shadowhunter and that must come first.” She hesitated. “What does it mean, ‘Hell Ruelle’?”

Anna’s eyes gleamed. She said, “Official academic gatherings in Paris have always been controlled by men, but salons are a world ruled by women. One famous noble lady seated her artistic guests in her ruelle—the space between her bed, any lady’s bed, really, and the wall. A scandalous spot. Informally, an artistic gathering presided over by a woman came to be known as a ‘ruelle.’  ”

“But you said Malcolm Fade ran this one, I thought.”