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Contents ( 29)
  1. OTHER BOOKS BY THIS AUTHOR
  2. FICTION
  3. NON-FICTION
  4. Brideshead Revisited
  5. Contents
  6. PREFACE
  7. PROLOGUE
  8. Brideshead Revisited
  9. BOOK ONE
  10. ET IN ARCADIA EGO
  11. CHAPTER ONE
  12. CHAPTER TWO
  13. CHAPTER THREE
  14. CHAPTER FOUR
  15. CHAPTER FIVE
  16. BOOK TWO
  17. BRIDESHEAD DESERTED
  18. CHAPTER ONE
  19. CHAPTER TWO
  20. CHAPTER THREE
  21. BOOK THREE
  22. A TWITCH UPON THE THREAD
  23. CHAPTER ONE
  24. CHAPTER TWO
  25. CHAPTER THREE
  26. CHAPTER FOUR
  27. CHAPTER FIVE
  28. EPILOGUE
  29. Brideshead Revisited

‘That’s because I refused to be an Enfant de Marie. Reverend Mother said that if I didn’t keep my room tidier I couldn’t be one, so I said, well, I won’t be one, and I don’t believe our Blessed Lady cares two hoots whether I put my gym shoes on the left or the right of my dancing shoes. Reverend Mother was livid.’

‘Our Lady cares about obedience.’

‘Bridey, you mustn’t be pious,’ said Sebastian. ‘We’ve got an atheist with us.’

‘Agnostic,’ I said.

‘Really? Is there much of that at your college? There was a certain amount at Magdalen.’

‘I really don’t know. I was one long before I went to Oxford.’

‘It’s everywhere,’ said Brideshead.

Religion seemed an inevitable topic that day. For some time we talked about the Agricultural Show. Then Brideshead said, ‘I saw the Bishop in London last week. You know, he wants to close our chapel.’

‘Oh, he couldn’t,’ said Cordelia.

‘I don’t think mummy will let him,’ said Sebastian.

‘It’s too far away,’ said Brideshead. ‘There are a dozen families round Melstead who can’t get here. He wants to open a mass centre there.’

‘But what about us?’ said Sebastian. ‘Do we have to drive out on winter mornings?’

‘We must have the Blessed Sacrament here,’ said Cordelia. ‘I like popping in at odd times; so does mummy.’

‘So do I,’ said Brideshead, ‘but there are so few of us. It’s not as though we were old Catholics with everyone on the estate coming to mass. It’ll have to go sooner or later, perhaps after mummy’s time. The point is whether it wouldn’t be better to let it go now. You are an artist, Ryder, what do you think of it aesthetically?’

‘I think it’s beautiful,’ said Cordelia with tears in her eyes.

‘Is it Good Art?’

‘Well, I don’t quite know what you mean,’ I said warily. ‘I think it’s a remarkable example of its period. Probably in eighty years it will be greatly admired.’

‘But surely it can’t be good twenty years ago and good in eighty years, and not good now?’

‘Well, it may be good now. All I mean is that I don’t happen to like it much.’

‘But is there a difference between liking a thing and thinking it good?’

‘Bridey, don’t be so Jesuitical,’ said Sebastian, but I knew that this disagreement was not a matter of words only, but expressed a deep and impassable division between us; neither had any understanding of the other, nor ever could.

‘Isn’t that just the distinction you made about wine?’

‘No. I like and think good the end to which wine is sometimes the means – the promotion of sympathy between man and man. But in my own case it does not achieve that end, so I neither like it nor think it good for me.’

‘Bridey, do stop.’

‘I’m sorry,’ he said, ‘I thought it rather an interesting point.’

‘Thank God I went to Eton,’ said Sebastian.

After dinner Brideshead said: ‘I’m afraid I must take Sebastian away for half an hour. I shall be busy all day tomorrow, and I’m off immediately after the show. I’ve a lot of papers for father to sign. Sebastian must take them out and explain them to him. It’s time you were in bed, Cordelia.’