“Bless you,” J.P. said, coughing as he put his hand over his heart. “You have saved my life.”

“Now I get to be the one who kills you.”

J.P. eyed Zach and pointed at the chair across from the desk. Zach reluctantly sat down, pulling his gray coat around him like a suit of armor.

“Easton, look,” J.P. began but it was as far as Zach let him get.

“Nora Sutherlin?” Zach infused the name with as much disgust as he could muster, a considerable amount at the moment. “You must be joking.”

“Yes, Nora Sutherlin. I’ve thought about it, looked at the sales projections. I think we should acquire her. I want you to work with her.”

“I will do no such thing. It’s pornography.”

“It’s not pornography.” J.P. peered at Zach over the top of his glasses. “It’s erotica. Very good erotica.”

“I had no idea there was such a thing.”

“Two words—Anaïs Nin,” J.P. retorted.

“Two more words—Booker Prize.”

J.P. exhaled noisily and leaned back in his chair.

“Easton, I know your track record. You’re one of the top talents in the industry by far. I wouldn’t have paid to import you here to New York if you weren’t. Yes, your writers have won Booker Prizes.”

“And Whitbreads, Silver Daggers—”

“And Sutherlin’s last book outsold your Whitbread and Silver Dagger combined. We’re in a recession, if you hadn’t noticed. Books are a luxury. If it can’t be eaten, no one is buying it right now.”

“So Nora Sutherlin’s the answer?” Zach challenged.

J.P. grinned. “Janie Burke at the Times called her last book ‘highly edible.’”

Zach shook his head and looked up at the ceiling in disgust.

“She’s a guttersnipe writer at best,” Zach said. “Her mind’s in the gutter, her books are in the gutter. I wouldn’t be surprised if her last publishing house kept its offices in the gutter.”

“She might be a guttersnipe, but she’s our guttersnipe. Well, your guttersnipe now.”

“This isn’t My Fair Lady. I’m not Professor Henry Higgins, and she is no Eliza bloody Doolittle.”

“Whoever she is she’s a damn fine writer. You would know this if you’d bothered to read one of her books.”

“I left England for this job,” Zach reminded him. “I left one of the most respected publishers in Europe because I wanted to work with the best young American writers.”

“She’s young. She’s American.”

“I did not leave England, my life…” Zach stopped himself before he said, “and my wife.” After all, it was his wife who’d left him first.

“This book has real potential. She brought it to us because she’s ready to make a change.”

“Give her twenty shillings for a pound if she wants change. I leave for L.A. in six weeks. I can’t believe you want me to set everything aside and give my last six weeks to Nora Sutherlin. Not a chance.”

“I’ve seen your in-box, Easton. It’s not so full you can’t work with Sutherlin while you tie up loose ends around here. Don’t tell me you don’t have the time when we both know you just don’t have the inclination.”