Chapters (78)
- Cover
- Back Cover Text
- Wanted
- Back Cover Text
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- The Siren
- Back Cover Text
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Chapter Thirty-Three
- Chapter Thirty-Four
- Chapter Thirty-Five
- Hold Tight
- Back Cover Text
- Prologue
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Epilogue: Royce
- Epilogue: Pandora
- Excerpt
- BPA
“We’d all have to use the side door then. ‘All have sinned and fallen short of the glory of God.’ Romans 3:23.”
“A Bible-quoting erotica writer—you are quite the oxymoron,” Zach said.
“And a Moxie Whore-On sometimes.” Nora winked at him. “If it helps, Søren used to say Catholicism was the perfect faith for someone into S&M.”
“Why?”
Nora opened her mouth and closed it again as if she started to say something and then thought better of it.
“Show, don’t tell,” she said, taking his arm.
Together they walked back into the sanctuary taking another doorway on the opposite side that opened up to a long corridor. The walls of the corridor were adorned with framed prints of biblical scenes. Scenes from the Hebrew Bible were on his right—images that he remembered from his childhood in Hebrew school; he recognized Ruth and Naomi, Jacob’s Ladder, the Crossing of the Red Sea, among others. On his left were scenes from the New Testament—images far less familiar to him. Nora brought him to the end of the hall and stopped in front of the third print from the end.
“This one’s my favorite,” she said, still holding his arm. “Antonio Ciseri’s Ecce Homo. That’s ‘Behold the Man’ if you aren’t up on your Latin.”
“A tad rusty. Is this from the Crucifixion?”
“From the Passion. This is when Christ is being presented to the angry mob.”
“Ah, yes. When we bloodthirsty Jews killed Jesus, right?”
Nora smiled and shook her head. “You kidding? Jesus died for the sins of the world. Everyone who ever lived killed Jesus.” She paused and smiled sadly. “I killed Him.”
Zach said nothing as he studied the painting, struck by the artist’s choice of bright colors to paint such a dark scene.
“Søren has this impressively twisted theology of the Trinity, you know. God the Father inflicted the suffering and humiliation, God the Son submitted to it willingly and God the Holy Spirit gave Christ the grace to endure it.”
“Your Søren sounds…interesting,” Zach said, attempting to be diplomatic.
“He was never my Søren. That’s the one thing about being a collared submissive. I was his. He never was mine. But yes, he is interesting. The most caring sadist you could ever hope to meet.”
“But you loved him?”
“And I loved him,” she corrected. “Søren said Jesus was the only man who ever made him feel humble. He makes me feel humble, too.”
“Søren or Jesus?”
But Nora didn’t answer. Instead, she released Zach’s arm and stepped toward the print.