Chapters (31)
- Cover
- breakable things
- advance praise for “breakable things”
- also by cassandra khaw
- Dedication
- don’t turn on the lights
- a leash of foxes, their stories like barter
- radio werewolf
- recite her the names of pain
- kiss, don’t tell
- an ocean of eyes
- the truth that lies under skin and meat
- mothers, we dream
- how selkies are made
- a secret of devils
- goddess, worm
- a priest of vast and distant places
- the games we play
- for the things we never said
- she who hungers, she who waits
- monologue by an unnamed mage, recorded at the brink of the end
- you do nothing but freefall
- the ghost stories we tell around photon fires
- the quiet like a homecoming
- and in our daughters, we find a voice
- in the rustle of pages
- bargains by the slant-light
- some breakable things
- publication history
- acknowledgements
- about the author
Later, you joke about serendipity. I nod in silence, my fingers still glazed with her cells and her atoms, the taste of her bitter with ghosts of Sunday afternoon pasts. How many street corners have you kissed on? How many does she remember? How many times has she sat coiled by her phone, waiting, waiting, thumbing through pictures of you together, a patchwork of possibilities that should have spelled out a future?
I don’t sleep that night. Instead, I sit and watch the Parisian skyline, dreaming of penanggalans in waltz.
Pontianak, huli jing, rakshaka. You called me from a country of monsters, serpent-haired, dagger-teethed, skin hot as kiamat. Nothing like her, nothing like the women that slither through London, Berlin, Paris; their bones Abrahamic, their minds agnostic, mouths full with the gospel of Apple. Was it the novelty that enticed you, or the reflection of teeth? Because I can smell it on you, your flesh, your smile; ocean salt, hydra blood, a thousand ancient wars in a thousand new molecules. We’re monsters, you and I.
But her?
I can tell she’s a good girl, always has been, always will be, even though her dreams cup a fading memory of black leather and black lashes, whiplash-promises on her skin. Not a monster, even though she sometimes pretends, armoring herself with lipgloss and suits cut sharp as suicide.
Delicious, darling.
Langsuir, jiangshi, ngu tinh. I pull myself onto the window sill, feel cartilage bulge and vertebrae give. The air burns cold. Egui, preta, desire, hunger. My blood is singing, so loud that it amazes that you can sleep. I wonder what you’d say if you woke and found me framed in the moonlight, flesh and bone turned protean, amoebic.
I wonder what you’d think if you saw my wings: knucklebones strung together like rosaries, membranous skin, tendons to tether. Nothing like your angels, darling. Nothing so sweet.
I wonder what you’d do if I told you I’d chased her scent across the city, her a ghost, me a knot of entrails and superstition, invisible to rational men. Because under her skin, I tasted the salt of your old desires, coiling with hers, an ouroboros of mouth and grasping hands and moans. And nothing, darling, displeases me more.
I wonder, I wonder.
Would you beg me to stop, darling? As I stole across the skyline of her sleeping body, over hip and thigh and sternum, to stop a breath from her mouth, would you shout out no?
I imagine not. Women break like surf on the hearts of men, foam and whispers, frothing to nothing. You remember us for as long as we are there, stretched like cats in your beds, our flesh warm, our arms patient. No more, no less. And when we are gone, you write us into an inventory of conquests. Another notch, another monster taken by the smoke in your smile, the teeth in your eyes.