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Chapters (24)
  1. Kay Scarpetta 15 - Book of the Dead
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. Chapter 11
  13. Chapter 12
  14. Chapter 13
  15. Chapter 14
  16. Chapter 15
  17. Chapter 16
  18. Chapter 17
  19. Chapter 18
  20. Chapter 19
  21. Chapter 20
  22. Chapter 21
  23. Chapter 22
  24. Chapter 23

“You said any man in your mother’s life was more important than you. And you were right. Remember my telling you why? Because Dorothy’s an empty vessel. It’s not about you. It’s about her. You always felt violated because of what went on in your home…” Her voice trails off and a shadow turns her eyes a deeper blue. “Did something happen? Something else? Did one of her boyfriends ever act inappropriately with you?”

“I probably wanted attention.”

“What happened?”

“Forget it.”

“What happened, Lucy?” Scarpetta says.

“Forget it. This isn’t about me right now. And I was a little kid. You aren’t a little kid.”

“I may as well have been. How could I have fought him off?”

They get quiet for a while. The tension between them suddenly goes slack. Lucy doesn’t want to fight with her anymore, and she resents Marino as much as she’s resented anyone in her life because, for an instant, he made her unkind toward her aunt. She showed no mercy toward her aunt, who did nothing but suffer. He inflicted an injury that can’t ever heal, not really, and Lucy just made it worse.

“That wasn’t fair,” Lucy says. “I just wish I’d been there.”

“You can’t always fix things, either,” Scarpetta says. “You and I are more alike than we’re different.”

“Drew Martin’s coach has been to Henry Hollings’s funeral home,” Lucy says, because they shouldn’t talk about Marino anymore. “The address is stored in his Porsche’s GPS. I can check it out if you’d prefer to stay away from the coroner.”

“No,” she says. “I think it’s time we meet.”

An office tastefully furnished with fine antiques and damask draperies pulled back to let the outdoors in. On mahogany-paneled walls are oil portraits of Henry Hollings’s ancestors, an array of somber men watching over their past.

His desk chair is swiveled around as he faces the window. Beyond it is yet another perfectly splendid Charleston garden. He doesn’t seem aware that Scarpetta is standing in the doorway.

“I have a recommendation I think you just might like.” He talks on the phone in a soothing voice with a thick southern cadence. “We have urns made just for that, an excellent innovation most people don’t know about. Biodegradable, dissolve in water, nothing ornate or expensive…Yes, if you plan on a water committal…That’s right…Scatter his ashes at sea…Indeed. You prevent them from blowing everywhere by simply immersing the urn. I understand it might not seem the same. Of course, you can choose whatever’s meaningful to you, and I’ll assist in any way I can…Yes, yes, it’s what I recommend…No, you don’t want them blowing everywhere. How do I put this delicately? Blowing in the boat. That would be unfortunate.”