Next door is a bathroom the size of a phone booth. A toilet, a shower, a sink. Lucy checks the medicine cabinet, finds the expected toiletries and hangover remedies. She removes a bottle of Fiorinal with Codeine prescribed to Shandy Snook. It’s almost empty. On another shelf is a tube of Testroderm, prescribed to someone she’s never heard of, and she enters the information on her iPhone. She reattaches the door to its hinges and makes her way down the dark, rickety stairs. The wind has kicked up, and she hears a faint noise coming from the pier. She slips out her Glock, listening, shining the light in the direction of the noise, but the beam falls short, the length of the pier dissolving into solid darkness.

She climbs stairs that lead to the pier, old with curling boards, some of them missing. The smell of pluff mud is strong, and she begins to swat at no-see- ums and remembers what an anthropologist told her. It’s all about your blood type. Pests like mosquitos like type O. That would be her, but she’s never been sure how a no-see- um can smell her blood type if she isn’t bleeding. They swarm around her, attacking her, even biting her scalp.

Her footsteps are quiet as she walks and listens, hearing a bumping sound. The flashlight moves over weathered wood and bent rusty nails, and a breeze touches the marsh grass, whispers through it. The lights of Charleston seem distant in the sulfur-smelling, humid air, the moon elusive behind thick clouds, and at the end of the pier, she looks down at the source of the disconcerting sound. Marino’s bass boat is gone, and bright orange bumpers rock against pilings in dull thuds.

Chapter 14

Kay Scarpetta 15 - Book of the Dead

Chapter 14

K aren and Dr. Self on the front steps of the Pavilion in the almost-dark.

A porch light that isn’t too bright, and Dr. Self slides a folded piece of paper out of her raincoat pocket. She opens it, gets out a pen. In the woods beyond them, the high-pitched static of insects. The faraway cry of coyotes.

“What’s that?” Karen asks Dr. Self.

“Whenever I have guests on my shows, they sign one of these. It simply gives me permission to have them on the air. To talk about them. No one can help you, Karen. That’s clear, isn’t it?”

“I feel a little better.”

“You always do. Because they program you. Just as they tried to program me. It’s a conspiracy. That’s why they made me listen to my mother.”

Karen takes the waiver from her, tries to read it. There’s not enough light.

“I’d like to share our wonderful conversations and the insights from them that might help my millions of viewers around the world. I need your permission. Unless you’d rather I use an alias.”