Back Book of the Dead
Chapters (24)
  1. Kay Scarpetta 15 - Book of the Dead
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. Chapter 11
  13. Chapter 12
  14. Chapter 13
  15. Chapter 14
  16. Chapter 15
  17. Chapter 16
  18. Chapter 17
  19. Chapter 18
  20. Chapter 19
  21. Chapter 20
  22. Chapter 21
  23. Chapter 22
  24. Chapter 23

Scarpetta looks through a jeweler’s lens at the back of a camellia leaf, notes whitish scales. “We’ll prune these, and because there are wound pathogens, we’re going to have to disinfect before using the tools on anything else. I need to get the plant pathologist here.”

“Uh-huh. Plants has diseases just like people.”

Crows begin to fuss in the canopy of the live oak he’s trimming. Several of them suddenly flap off.

Madelisa stands paralyzed like that lady in the Bible who didn’t do what God said and He turned her into a pillar of salt. She’s trespassing, breaking the law.

“Hello?” she calls out again.

She musters up the courage to walk out of the laundry room and into the grand kitchen of the grandest house she’s ever seen, still calling out “Hello!” and not sure what to do. She’s scared in a way she’s never felt before and should get out of here as fast as she can. She begins to wander, gawking at everything, feeling like a burglar, worrying she’s going to get caught—now or later—and go to jail.

She should leave, get out. Do it now. The hair pricks up on the back of her neck as she continues calling out “Hello!” and “Anybody home?” and wondering why in the world the house is unlocked with meat on the grill if no one’s here. She begins to imagine she’s being watched as she wanders, something warning her that she ought to run as fast as she can out of this house and get back to Ashley. She has no right to wander around being nosy but can’t help it now that she’s here. She’s never seen a house like this and can’t figure out why nobody is answering her, and she’s too curious to turn back, or feels like she can’t.

She passes through an arch into a tremendous living room. The floor is blue stone, looks like gemstone, and is arranged with gorgeous Oriental rugs, and there are huge exposed beams and a fireplace big enough to roast a pig. A movie screen is pulled down over an expanse of glass that faces the ocean. Dust drifts in the beam of light from the overhead projector, the screen lit up but blank, and there’s no sound. She looks at the wraparound black leather sofa, puzzled by the neatly folded clothing on top of it: a dark T-shirt, dark pants, a pair of men’s Jockey briefs. The big glass coffee table is cluttered with packs of cigarettes, prescription bottles, an almost empty fifth of Grey Goose vodka.