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Contents ( 45)
  1. Bone Dance
  2. Bone Dance
  3. by Emma Bull
  4. Dedication…
  5. … and acknowledgments
  6. Card 0: The Significator:
  7. Page of Swords
  8. 0.0: The stock exchange
  9. Card 1: Covering
  10. Death, Reversed
  11. 1.0: Gonna go downtown
  12. 1.1: A surfeit of transactions
  13. Card 2: Crossing The Sun
  14. 2.0: A place for everything, and everything wired in place
  15. 2.1: You have to invite them in
  16. Card 3: Beneath
  17. Two of Pentodes, Reversed
  18. 3.0: The goddess and the girl next door
  19. Card 4: Behind
  20. Seven of Swords
  21. 4.0: What friends are for
  22. Card 5: Crowning
  23. The Lovers
  24. 5.0: One hundred stories without a punchline
  25. Card 6: Ahead
  26. Seven of Wands
  27. 6.0: The house of the spirit
  28. 6.1: A shedding of skins
  29. 6.2: Time stands still on the road
  30. Card 7: Fears
  31. Ten of Swords
  32. 7.0: Off to see the wizard
  33. 7.1: You get what you pay for
  34. Card 8: Surroundings
  35. The Devil Reversed
  36. 8.0: Where the serpents go to dance
  37. Card 9: Hopes
  38. The Star
  39. 9.0: The new day begins in darkness
  40. Card 10: Outcome
  41. The Tower
  42. 10.0: Dancing for a rainbow, sweating for the sun
  43. 10.1: Who plans revenge must dig two graves
  44. 10.2: Mister Death and the redheaded woman
  45. About

“Oh, excuse me for asking. I just figured if there was something I could do, maybe you’d like to mention it.” This sounded like Sher being acerbic, which she did often. It also sounded like Sher being hurt. I looked up and met her eyes. Sher wasn’t the sort to avoid eye contact at a moment like that. But I was.

“It’s no big thing,” I said, changing the tape bias on one machine, then changing it back. “It’s taken care of.”

She brought up B deck: a series of shots of the head of a daisy, a chambered nautilus that came apart into animation. There were fractals right after that, I knew. I ought to cue up something trippy. “Sparrow,” she said, “if you really don’t want anybody to give a shit about you, say so, and we’ll just let you go to hell.”

I almost cracked wise. If it had been any conscious impulse that stopped me, I would have overridden it. “It’s important to me,” I said instead.

“Why? What’s so private that you have to make an enemy of the whole world to keep it that way?”

Just for that instant, I was tempted to tell her.

But Theo came in, a beer in each hand, and kicked the door shut behind him. “Who needs a fresh one?”

“You take it,” I said. “It’s my turn for a break.” Then I caught a look at the third monitor. The camera, which wasn’t feeding to either screen, was on the front door. I saw Robert leaning on the frame, a pack of nightbabies newly arrived and staring just in front of him, and behind them a head of pale curly hair, a big white smile, shades — no, not shades.

I grabbed the camera remote and zoomed in. Dana’s friends hadn’t found me. The other ones had. It was the man in the silvertones.

At the corner of my eye I saw the shift in room light that meant the picture had changed on the screens. “Sher, no!” I cried, but it was too late. The camera feed was up on the left screen. I panned the camera away so fast it must have made the drunks sick, and Sher hit the switcher, but it was too late. I’d seen him look at the screens. He knew somebody on the balcony was watching him.

Sher was chalky, and her eyes were big. “I’m sorry,” she said faintly. Theo stood as still as I’d ever seen him.

“I have to go,” I said. “I’ll use the back stairs.”

“And we’re gonna handle it?” Theo asked politely.

Sher looked at him. “Yeah,” she said. “We are.” She stood up and stretched, flexed her hands, glanced over the edge of the balcony at the dance floor.

“Then I guess we are.” Theo shrugged, picked up a heavy flat-bladed screwdriver from a box by the sound board, jammed the blade between the stairway door and the door frame, and pounded it in as far as it would go. “Door’s sticking again. Bummer.”