Back Bone Dance Save as PDF
Contents ( 45)
  1. Bone Dance
  2. Bone Dance
  3. by Emma Bull
  4. Dedication…
  5. … and acknowledgments
  6. Card 0: The Significator:
  7. Page of Swords
  8. 0.0: The stock exchange
  9. Card 1: Covering
  10. Death, Reversed
  11. 1.0: Gonna go downtown
  12. 1.1: A surfeit of transactions
  13. Card 2: Crossing The Sun
  14. 2.0: A place for everything, and everything wired in place
  15. 2.1: You have to invite them in
  16. Card 3: Beneath
  17. Two of Pentodes, Reversed
  18. 3.0: The goddess and the girl next door
  19. Card 4: Behind
  20. Seven of Swords
  21. 4.0: What friends are for
  22. Card 5: Crowning
  23. The Lovers
  24. 5.0: One hundred stories without a punchline
  25. Card 6: Ahead
  26. Seven of Wands
  27. 6.0: The house of the spirit
  28. 6.1: A shedding of skins
  29. 6.2: Time stands still on the road
  30. Card 7: Fears
  31. Ten of Swords
  32. 7.0: Off to see the wizard
  33. 7.1: You get what you pay for
  34. Card 8: Surroundings
  35. The Devil Reversed
  36. 8.0: Where the serpents go to dance
  37. Card 9: Hopes
  38. The Star
  39. 9.0: The new day begins in darkness
  40. Card 10: Outcome
  41. The Tower
  42. 10.0: Dancing for a rainbow, sweating for the sun
  43. 10.1: Who plans revenge must dig two graves
  44. 10.2: Mister Death and the redheaded woman
  45. About

I’ve written this at Sherrea’s request. Or is it a request when someone drops twenty-five pounds of manual typewriter and a monstrous pile of paper beside your plate at dinner, then asks if you’d rather do it in longhand?

“Do what?” I said.

“Your version of what happened to the power monopoly,” she told me, as if I ought to have known.

It was, and is, a very large typewriter. Finally I asked, “Does it have to rhyme?”

She said she wants a record of it for the Engineers, but I think she also means it to be therapy for me. Or maybe she doesn’t. But I’ve treated it as if it was; I’ve tried to faithfully reproduce the person who woke up on the river flats, and understand, and forgive. I’ve made progress on the first two.

Even so, I think this must be three-quarters lying. I can’t have remembered everything; and the process of trying is like reconstructing a dream. You put the connective tissue in where it never existed, because without it, you’ve got, not a narrative, but a string of senseless images.

I don’t trust memory, anyway. Why should I? Memories, however undependable, ought to be the stuff left on the sand when the tide of experience recedes. As long as they’re part of that process, there’s something valid about them, something that ties them to real life.

But what if something exists only as a remembrance, that was never an experience? What if it even leaves artifacts in the mind: English, Spanish, French, and a thorough knowledge of semiconductor electronics? These, in me, began as pure memory, untroubled by life or the sensible continuity of time. The experience came later.

What if Sleeping Beauty woke behind the briers alone, in the dark, to the knowledge that the curse was not sleep but waking, and that family, childhood, fairy godmothers and all were dreams spun to amuse a virgin mind in mothballs?

She/he/it would have no choice but to make something of the awakening. I do, as best I can.

Theo and I, in a rash moment over a flask of cherry brandy, resolved to restore the old municipal telephone system to replace Albrecht’s graft- and bribery-powered party lines. After three months of learning experiences, we have half an exchange up; but it’s interesting work.

I found that Loretta, the old woman at China Black’s house, was right: communal hydro generators, regularly spaced along the riverbank, are a reasonably cheap and reliable method for getting power to most of the City. We have four running so far.

Now that the power monopoly is broken, a surprising amount of photovoltaic technology is turning up. Surprising to me, anyway. Last week a storm took the roofing off a house on the south end of town and revealed three solar panels hidden in the rafters. I went down to direct the salvaging of them, and felt like an archaeologist who’d found the library at Alexandria intact.

People come to me for things like that, and for information, and training. I’m learning to talk to them. I’m learning to live with being recognized on the street. A frightening number of people know who I am, and even what I am, and I have to get on with life as if that didn’t matter. Someday maybe it won’t.