Chapters (65)
- Cover
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Acknowledgements
- Detective Kelly Porter
Her next stop was the neuro-cellular lab. If the mood about the place as a whole was gloomy, then the atmosphere where the victims had worked was wretched. Two technicians packed belongings into boxes, and both had to stop occasionally to blow their noses. A few uniforms were working on computers; Kelly recognised two young detectives from Matt’s team.
‘Hi, guys, any luck?’
They shook their heads. ‘We’ve had five different scientists helping us translate all of this stuff into English. Apart from experiments, tables and results, it’s just time sheets, shift patterns and pay grades.
‘All as it should be then?’
‘Yes, guv.’
‘So what exactly were they working on?’
‘Mood disorders.’
‘Mental illness?’
One of the technicians looked up. ‘No, I’m sorry, I need to explain.’ Kelly got the impression that the detectives had already had the lecture that she was about to become privy to. ‘Mental illness is like a long-term acute mis-wiring, but mood swings are short-term chronic episodes. For example, depression isn’t a mental illness, it’s a mood disorder. Being drunk isn’t a mental illness, but intoxication makes one act like a lunatic.’
Kelly nodded. ‘Carry on.’
‘George’s team was working on neurotransmitters, and the chemicals that switch them on and off.’
‘I’m sorry, you’ve lost me.’
‘It’s probably best if I show you the diagram I drew for your colleagues.’
The two detectives looked at Kelly and signalled their approval; it had clearly helped them, so she decided to give it a go. The diagram looked like a sketch of a broken rope. The technician explained that since every event in the body was electrical, pulses needed to jump the gaps in nerve endings known as synapses. He pointed to the broken rope and Kelly tried to imagine the size of a nerve.
‘Hold out your hand.’
She did so.
‘If I was to hold a naked flame underneath your hand, you’d feel pain, but quicker than that, you’d have an overwhelming instinct to pull away. That’s an electrical message. The same is true for feelings: they’re just messages travelling around the body, acting upon what we know and have learned already. So toddlers know very little and act in predictable ways. Adults are trickier because we’ve probably been hurt in love, we know what it’s like to make a prat of ourselves drunk, and we also know that happiness might be round the next corner even though today is awful. So we use past experience to make decisions.’
All three detectives were mesmerised by the technician and nodded along like puppies.
‘George’s team was working on how we can make those electrical connections less or more intense, depending on the need.’
‘I think I get it. Do you mean like antidepressants?’ Kelly asked.