In the days that followed the crowd dispersed, and Maya wandered Odessa nosing through used-furniture shops and sitting on benches on the corniche, watching the sun bounce over the water. It was lovely to be in Odessa again, but she felt the funereal chill of Spencer’s death much more than she would have expected. It cast a pall over even the beauty of this most beautiful town; it reminded her that in coming back here and moving into the old building, they were attempting the impossible— trying to go back, trying to deny time’s passing. Hopeless— everything was passing— everything they did was the last time they would ever do it. Habits were such lies, such lies, lulling them into the feeling that there was something that was lasting, when really nothing lasted. This was the last time she would ever sit on this bench. If she came down to the corniche tomorrow and sat on this same bench, it would again be the last time, and there would again be nothing lasting about it. Last time after last time, so it would go, on and on, always one final moment after the next, finality following finality in seamless endless succession. She could not grasp it, really. Words couldn’t say it, ideas couldn’t articulate it. But she could feel it, like the edge of a wave front pushing ever outward, or a constant wind in her mind, rushing things along so fast it was hard to think, hard to really feel them. At night in bed she would think, this is the last time for this night, and she would hug Michel hard, hard, as if she could stop it happening if she squeezed hard enough. Even Michel, even the little dual world they had built—”Oh Michel,” she said, frightened. “It goes so fast.”

He nodded, mouth pursed. He no longer tried to give her therapy, he no longer tried always and ever to put the brightest face on things; he treated her as an equal now, and her moods as some kind of truth, which was only her due. But sometimes she missed being comforted.