So he drove back up, in a little caravan with Tariki and Rachel and Tiu and some other friends who had gathered to help. They drove over a low ridge and found Dingboche, set on a little wadi that was now being farmed, mostly in hardscrabble potato fields. There had been a snowstorm, and all the fields were white rectangles, divided by low black walls of stacked stones. A number of long low stone houses, with plate-rock roofs and thick square chimneys, were scattered among the fields, with several more clustered at the village’s upper end. The longest building in this cluster was a two-storied teahouse, with a big mattress-filled room to accommodate visitors.

In Dingboche as in much of the southern highlands the gift economy still predominated, and Nirgal and his companions had to endure a near potlatching when they stayed for the night. The locals were very happy when he inquired about the high basin, which they called variously the little horseshoe, or the upper hand. “It needs looking after.” They offered to help him get started.

So they went up to the high cirque in a little caravan, and dumped a load of gear on the ridge near the house boulder, and stuck around long enough to clear a first little field of stones, walling it with what they cleared. A couple of them experienced in construction helped him to make the first incisions into the ridge boulder. During this noisy drilling some of the Dingboche locals cut away at the exterior of the rock, carving in Sanskrit lettering Om Mani Padme Hum, as seen on innumerable mani stones in the Himalayas, and now all over the southern highlands. The locals chipped away the rock between the fat cursive letters, so that the letters stood out in raised relief against a rougher, lighter background. As for the boulder house itself, eventually he would have four rooms hacked out of the boulder, with triple-paned windows, solar panels for heat and power, water from a snowmelt pumped up to a tank placed higher on the ridge, and a composting toilet and graywater facility.

Then they were off. Nirgal had the basin to himself.

He walked around on it for many days without doing anything but looking. Only the tiniest part of the basin would be his farm— just some small fields inside low stone walls, and a greenhouse for vegetables. And a cottage industry, he wasn’t sure what. It wouldn’t be self-sufficient, but it would be settling in. A project.

And then there was the basin itself. A small channel already ran down the opening out to the west, as if to suggest a watershed. The cupped hand of rock was already a micro-climate, tilted to the sun, slightly sheltered from the winds. He would be an ecopoet.

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