But in Da Vinci most people did not want to spend their time that way. “Socialism will never succeed,” Oscar Wilde had remarked (in handwriting on yet another sign), “it takes up too many evenings.” So it did; and the solution was to make your friends take up their evenings for you. Thus the lottery method of election, a calculated risk, for one might get stuck with the job oneself someday. But usually the risk paid off. Which accounted for the gaiety of this annual party; people were pouring in and out of the French doors of the commons, onto the open terraces overlooking the crater lake, talking with great animation. Even the drafted ones were beginning to cheer up again, after the solace of kavajava and alcohol, and perhaps the thought that power after all was power; it was an imposition, but the draftees could do some little things that no doubt were occurring to them even now— make trouble for rivals, do favors for people they wanted to impress, etc. So once again the system had worked; they had warm bodies filling the whole polyarchic array, the neighborhood boards, the ag board, the water board, the architectural review board, the project review council, the economic coordination group, the crater council to coordinate all these smaller bodies, the global delegates’ advisory board— all that network of small management bodies that progressive political theorists had been suggesting in one variation or another for centuries, incorporating aspects of the almost-forgotten guild socialism of Great Britain, Yugoslavian worker management, Mondragon ownership, Kerala land tenure, and so on. An experiment in synthesis. And so far it seemed to be working, in the sense that the Da Vinci techs seemed about as self-determined and happy as they had been during the ad hoc underground years, when everything had been done (apparently) by instinct, or, to be more precise, by the general consensus of the (much smaller) population in Da Vinci at that time.

They certainly seemed as happy; out on the terraces they were lining up at big pots of kavajava and Irish coffee, or kegs of beer, clumped in talkative groups so that the clatter of voices was like the sound of waves, as at any cocktail party: an amazing sound, those voices all together. A chorus of talk— it was a music that no one consciously listened to but Sax, as far as he could tell; but as he listened to it he suspected strongly that the sound of it, heard unconsciously, was one of the things that made people at parties so happy and gregarious. Get two hundred people together, talking loudly so that each conversation could be heard only by its small group: such a music they made!