‘Is there a problem?’

‘I think somebody has been interfering with my work.’

‘I went in to check the bookings on the computer. Roger phoned to see if we could fit in a group next June and for some reason the machine in the flat wasn’t working.’

‘This wasn’t on the computer. It was a draft for a paper. Handwritten.’ Angela directed the answer at Maurice, but her voice was pitched loudly enough for them all to hear the words. Listening, Jane was surprised by the image of Angela writing by hand. She never did, except perhaps her field notes when no other form of taking a record was possible. The warden was beguiled by technology. She even completed the evening log of birds seen with the aid of a laptop. ‘It’s missing,’ Angela went on. ‘Someone must have taken it.’ She looked around the room, took in the four visitors sitting at their own table and her voice was even louder. ‘Someone must have taken it.’

Chapter Three

Perez had told Fran exactly what to expect of his parents’ house. He’d described the kitchen with its view down to the South Harbour, the Rayburn with the rack above for drying clothes in the winter, the oilskin tablecloth, green with a pattern of small grey leaves, his mother’s watercolours hanging on the wall. He’d talked about his childhood there, then listened to her tales of growing up in London; the intimate conversations part of the ritual of a developing relationship, absolutely tedious to any outsider.

‘Mother will probably hide all her pictures away,’ Perez had said. ‘She’ll be embarrassed for a professional artist to see them.’

And Fran supposed that she was a professional artist now. People commissioned her paintings and they were shown in galleries. She was glad that Mary had left her own work on the walls. The pictures were very small and delicate, not Fran’s style at all, but interesting because they showed the small details of everyday Fair Isle life that it would be easy to miss. There was a piece of broken wall, with a few wisps of sheep’s wool snagged on one corner, a sketch of one grave in the cemetery. Fran looked at that more closely, but the headstone had been drawn from the side so even if the model had had an inscription it would have been impossible to read from this angle. Alongside Mary’s paintings of the Isle there were vibrant prints and posters reflecting the Perez family’s Spanish heritage. Legend had it that Jimmy’s ancestor had been washed ashore from a shipwrecked Armada ship, El Gran Grifon. It was probably true. The sixteenth-century shipwreck was certainly there, under the water for divers to explore, and how else was it possible to explain the strange name and the Mediterranean colouring of James Perez and his son?

Because the reality of the croft was so close to what she’d imagined, but not exactly the same – it was smaller somehow, more cramped – Fran felt rather that she’d wandered into a parallel universe. She sat at the table listening to Mary and James and it was as if she was an extra on a film set, disconnected, not involved in the main action.