Back Blood Rites
Chapters (68)
  1. Cover
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. Chapter 11
  13. Chapter 12
  14. Chapter 13
  15. Chapter 14
  16. Chapter 15
  17. Chapter 16
  18. Chapter 17
  19. Chapter 18
  20. Chapter 19
  21. Chapter 20
  22. Chapter 21
  23. Chapter 22
  24. Chapter 23
  25. Chapter 24
  26. Chapter 25
  27. Chapter 26
  28. Chapter 27
  29. Chapter 28
  30. Chapter 29
  31. Chapter 30
  32. Chapter 31
  33. Chapter 32
  34. Chapter 33
  35. Chapter 34
  36. Chapter 35
  37. Chapter 36
  38. Chapter 37
  39. Chapter 38
  40. Chapter 39
  41. Chapter 40
  42. Chapter 41
  43. Chapter 42
  44. Chapter 43
  45. Chapter 44
  46. Chapter 45
  47. Chapter 46
  48. Chapter 47
  49. Chapter 48
  50. Chapter 49
  51. Chapter 50
  52. Chapter 51
  53. Chapter 52
  54. Chapter 53
  55. Chapter 54
  56. Chapter 55
  57. Chapter 56
  58. Chapter 57
  59. Chapter 58
  60. Chapter 59
  61. Chapter 60
  62. Chapter 61
  63. Chapter 62
  64. Chapter 63
  65. Acknowledgements
  66. Canelo Crime
  67. About the Author
  68. Also by Rachel Lynch

In summary, it was the vet’s belief that whoever did this was hoping to harm the owner of the pets, not just the pets. Her premise was that those who keep pets have a love for them, in most cases, akin to that towards a child, and the animals were all in excellent condition ante-mortem. They were well looked after. Loved. Thus, the pain and terror caused to the animals was apparently deliberately aimed at the owner. Kelly knew that Mary died after the fire and so perhaps she watched her animals die. She certainly witnessed their pain. She remembered what Demi said about who the attack was aimed at: it seemed that it was Mary. The vet’s report continued to say that burning was a particular method of cleansing evidence from the scene. The fire officer had said the same, and Kelly had seen it in other cases.

Animals can’t be witnesses and so it left Kelly with the glaring fact that whoever killed Mary killed her animals because they wanted to hurt Mary with such vehemence that they chose the thing she loved most.

But another attachment caught her eye. It was a photograph of some of the animals’ remaining pieces of flesh. Most of the bodies of the animals had been badly charred and left little fur or skin, however, a few of them had patches remaining and, on three of them, a triangle had been cut with a sharp instrument. The vet confirmed that the cuts were fresh and inflicted before they had time to heal, meaning they were scored into the skin on Friday evening. Possibly by the person who killed them. Kelly stared at the photos. The triangles were neat, small and deliberate. The vet had attached an appendix. She’d noted that she’d never seen any farming branding made in such a manner. She’d also proven, by the way the animal had bled and the blood coagulated, that they were alive when cut. The vet had done some research on the use of any forms of triangle symbolism and learned that alchemic tradition marks the element of sulphur – strongly associated with fire – the symbol of an upward-pointing triangle.

The final attachment was about the dead birds. They were all wrens. The vet, again, had done her homework and had commented that keeping wrens in cages was highly unusual; they were migratory. However, they did come back to the same breeding nests year on year and it was possible that Mary Hales’ garden was a firm favourite, and so the birds would feel comfortable there. She’d handwritten a note next to a photograph of a common wren. ‘Such a shame to see this bird treated in this way. The wren is the king of all birds.’