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Contents ( 59)
  1. SYNOPSIS
  2. CHAPTERS
  3. CHAPTER 1
  4. CHAPTER 2
  5. CHAPTER 3
  6. CHAPTER 4
  7. CHAPTER 5
  8. CHAPTER 6
  9. CHAPTER 7
  10. CHAPTER 8
  11. CHAPTER 9
  12. CHAPTER 10
  13. CHAPTER 11
  14. CHAPTER 12
  15. CHAPTER 13
  16. CHAPTER 14
  17. CHAPTER 15
  18. CHAPTER 16
  19. CHAPTER 17
  20. CHAPTER 18
  21. CHAPTER 19
  22. CHAPTER 20
  23. CHAPTER 21
  24. CHAPTER 22
  25. CHAPTER 23
  26. CHAPTER 24
  27. CHAPTER 25
  28. CHAPTER 26
  29. CHAPTER 27
  30. CHAPTER 28
  31. CHAPTER 29
  32. CHAPTER 30
  33. CHAPTER 31
  34. CHAPTER 32
  35. CHAPTER 33
  36. CHAPTER 34
  37. CHAPTER 35
  38. CHAPTER 36
  39. CHAPTER 37
  40. CHAPTER 38
  41. CHAPTER 39
  42. CHAPTER 40
  43. CHAPTER 41
  44. CHAPTER 42
  45. CHAPTER 43
  46. CHAPTER 44
  47. CHAPTER 45
  48. CHAPTER 46
  49. CHAPTER 47
  50. CHAPTER 48
  51. CHAPTER 49
  52. CHAPTER 50
  53. CHAPTER 51
  54. CHAPTER 52
  55. CHAPTER 53
  56. CHAPTER 54
  57. CHAPTER 55
  58. CHAPTER 56
  59. CHAPTER 57

“What should I say?” Amy asked.

“Mare’s assistant-Aretha Cummings-thinks Hendricks was jealous of Mare’s abilities. Start with Aretha, see if you can get something specific to use as a lever. Usually, two emotions start people talking-resentment or sympathy. So try to get Hendricks feeling sorry for Harriet and the Whitbys. Talk about their need for closure. But if that doesn’t work, see if anything Aretha tells you will goad him into revealing something. Augustus Llewellyn, he owns T-square and all those other magazines, has a policy against talking to anyone at Bayard. I want to know if that’s truly a policy about not going to any competing publisher, or if there’s some specific issue between Llewellyn’s enterprise and Bayard’s. The guy in the cubicle next to Marc, Jason Tompkin, seems willing to talk.”

“I can try,” she said doubtfully, “but I’m not very skillful sorting out office politics.”

I was about to give her a hearty pep talk, but her words triggered a memory from my encounter with Renee Bayard. “I think you’re up to the job-but there is something you might find on the Web or the SEC or even from Aretha Cummings: Calvin Bayard helped Llewellyn get his original financing. There’s some history there, something that made Renee Bayard think Llewellyn wouldn’t respond to a call from her. See if you can

pick up anything on that. If I manage to see Calvin Bayard, I’ll ask him, too. Let’s talk tonight, okay?”

While I finished my smoothie, I called Mary Louise. We had a quick chat about her new job, which she confided was more work and less excitement than she’d hoped for. As I’d thought, she knew a funeral director whose fees were reasonable and who knew the ropes at the county morgues. First I called Deputy Protheroe, and told her the paperwork on Marc Whitby’s body might be getting ready to show up. Then I called Mary Louise’s funeral director, who set up the transfer for the next morning. Finally, I left a message on Vishnikov’s voice mail to tell him to expect Marc Whitby’s body. Only then did I reenter traffic.

With both hands on the wheel I was the model of the good driver, feeling superior to the people with books propped on steering wheels, cell phones in ears, hamburgers in mouths. As if to reward me, I had an easy run all the way from Kedzie to the tollway, and made it to the Warrenville Road exit well ahead of the afternoon rush.

When I reached the turnoff to Coverdale Lane, I pulled over to inspect my detail map. The woods behind Larchmont Hall belonged to a sort of common area in the middle of New Solway. The Bayard and Larchmont estates were about four miles apart if you followed the road, but only a mile if you went through the woods. I supposed that’s what Catherine did Sunday night-skittered through the underbrush home. Even if I hadn’t fallen in on top of Marc Whitby, I probably couldn’t have kept up with her in the dark through woods she knew well.