I pulled the printout on Ballantine that Aretha Cummings had given me yesterday from my briefcase and handed it to Amy Blount. I’d read it before I went to bed-I summarized the high points for Blount.

Kylie Ballantine had been both a dancer and an anthropologist. She’d been trained in classical ballet, but she’d gone to Africa to study tribal dance in French Equatorial Africa (modern-day Cameroon and Gabon, I was guessing). On her return she’d started the Ballet Noir, a deliberate pun on Diaghilev’s Ballets Russes, incorporating African dance into classical ballet, using costumes and masks from Africa. With the Negro Theater Project money, she’d done an ambitious ballet called Regeneration, which depicted an African-American sense of awakening and self-respect as people reclaimed their African heritage.

“It’d be great to see that,” Blount commented. “There probably aren’t films of it, though. What did she do after the theater project lost its funding?” “She went back to Africa, I think.” I thumbed through the printout. “I know she wrote a couple of books on tribal dance, and taught briefly at the University of Chicago.”

“That must have been something special,” Blount said dryly. “Black woman at that school in the forties or fifties. No wonder she took early retirement.” She took the printout from me to examine Whitby’s brief paragraph on that part of Ballantine’s life. “It looks like Marc was really only interested in her dance career. And then-I see. She ran a private dance studio from her home in Bronzeville until she died in ‘seventy-nine. Okay. I’ll see what else I can figure out. What are you going to do?”

“Go back to his house and canvass the neighbors. It occurred to me, private as he was, there might have been a lover in the picture you and Harriet never heard about. The kids on that block see everything. Someone had to notice something about him.”

Amy looked at me speculatively from under her thick lashes. “You know, I’m second to none as a researcher, and I’d be glad to go on-line, or down to the Vivian Harsh Collection. But I’m wondering if I wouldn’t be more effective on that street than you.”

I felt my cheeks grow hot, but I remembered the cautious response I’d already received this morning. The kids might talk to me as readily as to a black woman, but the adults were more likely to be open with Amy.

“Point taken. Do you have a cell phone?” We exchanged mobile numbers. “I’m not sure what I can pay you for this-I hadn’t factored that into the estimate I gave Harriet for taking the case. But your help will make a big difference, and I don’t expect you to donate it.”

She shook her head. “It feels good to be doing something. Even after Marc moved here, I didn’t know him all that well, but Harry-Harrietis like my own sister. Doing something active to track down what happened to Marc, it’s the one thing I can do for her. You don’t need to be paying me.”