Bitter Chocolate
Contents ( 12)



PINKI VIRANI
Bitter Chocolate
Child Sexual Abuse in India

Contents
About the Author
Author’s Note
Notebook One
Vaishali: Three Months
What is Child Sexual Abuse?
Home as Hell
What the Numbers Reveal
Child Rape
A Mother on the Run
Arun: Ten Years
Boy Versus Girl Victims
Historical Ethics of Child Abuse
Unofficial Secrets
Women as Perpetrators
The Aftermath
Srilakshmi: Eleven Years
Brother Nature
Prema: Seven Years
Child Prostitution
Notebook Two
Daughters & Mothers
Mothers & Men
Notebook Three
Tanuja: Nine Years
What the Law Ignores
Secondary Victimization
Prevention than Cure
Dealing with Disclosure
Child Protection Units
Dimple: Five Years
Dimple’s Brother
Exit Cycle
To the Victim
Healing by Yourself
Siddharth: Twelve Years
Razia: Thirteen Years
Helpbooks
Helplines
Afterword
Acknowledgement
Follow Penguin
Copyright
PENGUIN BOOKS
BITTER CHOCOLATE
Pinki Virani, with four best-selling books, has a body of work which gives voice to individuals who have none. It also leads to landmark legislation, not just once but twice. Her tireless campaigning for human dignity has lead to laws for two of the most vulnerable times in a human being’s life—in the beginning as a child and at the end as a terminally ill patient.
Her sustained crusading since 2000 has assisted in India passing a law against sexual abuse of children, The Protection of Children against Sexual Offences Act 2012. The law includes four of her suggestions to the Parliamentary Standing Committee. This book, Bitter Chocolate, has been quoted by the Madras High Court. Since the book’s release, there have been attempts by some courts across the country to follow a few practises recommended in Bitter Chocolate to protect the child, during trial, from his or her perpetrator and from excessive re-traumatisation.
In 2011, the Supreme Court of India passed a historic judgment permitting Passive Euthanasia in the country. This followed Pinki Virani’s plea to the highest court in 2009. It’s a landmark law which places the power of choice in the hands of the individual, over government, medical or religious control which sees all suffering as ‘destiny’.
Aruna’s Story (first published by Penguin in 1998) is the book with which the author catalysed the law on Passive Euthanasia. It continues to be read by a cross-section of society: the medical community worldwide, right to die with dignity believers, human rights activists and gender-study students. As a first in Indian publishing in the non-fiction genre, it set a trend for journalists to follow in writing books. A leading critic described it as ‘India’s answer to Truman Capote’s In Cold Blood’. A noted financial newspaper said the path-breaking book—which introduced the faction style (facts presented in fiction format with underpinnings firmly in non-fiction) in the sub-continent—had ‘changed the face of Indian writing for all time’.
Once Was Bombay (1999) is reference material for sociology specialists and was cited by then Indian prime minister Atal Behari Vajpayee in his speech on collapsing cities. Once Was Bombay, referred to as a ‘cult book’ on social networking sites, is one of the first books in English publishing to present the city in a non-romanticized, frills-shorn narrative in the faction genre. The template of Once Was Bombay—the vicious pillage of a city’s cosmopolitanism by provincial politicians in the name of language, then religion—has proved particularly prescient.