The ignorant traveller, impelled by curiosity, finds no bar to his entrance. The doors are as wide open as if the mansion were an hotel; and yet it is not an hotel, though a placard which he passes informs the traveller that he may have ices and sorbets, if he will; nor is the bright fresh-looking building a theatre, for another placard informs the visitor that there are dramatic performances to be witnessed every evening in a building on one side of the quadrangle, which is a mere subsidiary attachment to the vast white mansion. The traveller, passing on his way unhindered, save by a man in livery, who deprives him of his cane, ascends a splendid staircase and traverses a handsome antechamber, from which a pair of plate-glass doors open into a spacious saloon, where, in the warm August sunlight, a circle of men and women are gathered round a great green table, gambling.

The ignorant traveller, unaccustomed to the amusements of a Continental watering-place, may perhaps feel a little sense of surprise—a something almost akin to shame—as he contemplates that silent crowd, whose occupation seems so much the more strange to him because of their silence. There is no lively bustle, none of that animation which generally attends every kind of amusement, none of the clamour of the betting-ring or the exchange. The gamblers at Forêtdechêne are terribly in earnest: and the ignorant visitor unconsciously adapts himself to the solemn hush of the place, and steps softly as he approaches the table round which they are clustered—as many sitting as can find room round the green-cloth-covered board; while behind the sitters there are people standing two or three rows deep, the hindermost watching the table over the shoulders of their neighbours. A placard upon the wall informs visitors that only constant players are permitted to remain seated at that sacred table. Perhaps a third of the players and a third of the lookers-on are women. And if there are lips more tightly contracted than other lips, and eyes with a harder, greedier light in them than other eyes, those lips and those eyes belong to the women. The ungloved feminine hands have a claw-like aspect as they scrape the glittering pieces of silver over the green cloth; the feminine throats look weird and scraggy as they crane themselves over masculine shoulders; the feminine eyes have something demoniac in their steely glare as they keep watch upon the rapid progress of the game.

Half a dozen moderate fortunes seem to be lost and won while the traveller looks on from the background, unnoticed and unseen; for if those plate-glass doors swung suddenly open to admit the seven angels of the Apocalypse, carrying the seven golden vials filled with the wrath of God, it is doubtful whether the splendour of their awful glory, or the trumpet-notes that heralded their coming, would have power to arouse the players from their profound abstraction.