Contents ( 57)
- THE BIG FOUR 3
- THE BIG FOUR 5
- THE BIG FOUR 7
- THE BIG FOUR 9
- THE BIG FOUR 11
- THE BIG FOUR 15
- THE BIG FOUR 17
- THE BIG FOUR 23
- THE BIG FOUR 27
- THE BIG FOUR 29
- THE BIG POUR 33
- THE BIG FOUR 35
- THE BIG FOUR 37
- THE BIG FOUR 39
- THE BIO FOUR 47
- THE BIG FOUR 51
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- THE BIG FOUR 57
- THE BIG FOUR 61
- THE BIG FOUR 63
- THE BIG FOUR 65
- THE BIO FOUR 67
- THE BIG FOUR 69
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- THE BIG FOUR 163
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- THE BIG FOUR 183
- THE BIG FOUR 189
- THE BIG FOUR 191
- THE BIG FOUR 195
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- THE BIG FOUR
- THE BIG FOUR 201
- THE BIG FOUR 203
- THE BIG POUR 207
- THE BIG FOUR 209
- THE BIG POUR 211
- THE BIG FOUR
- THE BIG FOUR 215
have stolen the jade and made off with it instead of
committing a brutal and quite purposeless murder. Ah,
yes; I fear our Devonshire friend has not used his little gray cells. He has measured footprints, and has omitted
to reflect and arrange his ideas with the necessary order and method."
^<«-<«->»>»<
4
^e Importance of a JLeQ of .Mutton
The Inspector drew a key from his pocket and unlocked
the door of Granite Bungalow. The day had been fine
and dry, so our feet were not likely to leave any prints; nevertheless, we wiped them carefully on the mat before
entering.
A woman came up out of the gloom and spoke to the
Inspector, and he turned aside. Then he spoke over his
shoulder.
"Have a good look round, Mr. Poirot, and see all
there is to be seen. I'll be back in about ten minutes. By the way, here's Grant's boot. I brought it along with me for you to compare the impressions."
We went into the living-room, and the sound of the
Inspector's footsteps died away outside. Ingles was attracted immediately by some Chinese curios on a table
in the corner, and went over to examine them. He
seemed to take no interest in Poirot's doings. I, on the 31
32 Agatha Christie
other hand, watched him with breathless interest. The
floor was covered with a dark-green linoleum which
was ideal for showing up footprints. A door at the farther end led into the small kitchen. From there another
door led into the scullery (where the back door was
situated), and another into the bedroom which had been
occupied by Robert Grant. Having explored the ground,
Poirot commented upon it in a low running monologue.
"Here is where the body lay; that big dark stain and the splashes all around mark the spot. Traces of carpet
slippers and 'number nine' boots, you observe, but all
very confused. Then two sets of tracks leading to and
from the kitchen; whoever the murderer was, he came in
that way. You have the boot, Hastings? Give it to me." He compared it carefully with the prints. "Yes, both made by the same man, Robert Grant. He came in that
way, killed the old man, and went back to the kitchen.
He had stepped in the blood; see the stains he left as he went out? Nothing to be seen in the kitchen--all the
village has been walking about in it. He went into his
own room--no, first he went back again to the scene of
the crime--was that to get the little jade figures? Or had he forgotten something that might incriminate him?"
"Perhaps he killed the old man the second time he
went in?" I suggested.
"Mais non, you do not observe. On one of the outgoing footmarks stained with blood there is superimposed
an ingoing one. I wonder what he went back for--the
little jade figures as an afterthought? It is all ridiculous
--stupid."
"Well, he's given himself away pretty hopelessly."