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Contents ( 57)
  1. THE BIG FOUR 3
  2. THE BIG FOUR 5
  3. THE BIG FOUR 7
  4. THE BIG FOUR 9
  5. THE BIG FOUR 11
  6. THE BIG FOUR 15
  7. THE BIG FOUR 17
  8. THE BIG FOUR 23
  9. THE BIG FOUR 27
  10. THE BIG FOUR 29
  11. THE BIG POUR 33
  12. THE BIG FOUR 35
  13. THE BIG FOUR 37
  14. THE BIG FOUR 39
  15. THE BIO FOUR 47
  16. THE BIG FOUR 51
  17. THE BIG FOUR 53
  18. THE BIG FOUR 55
  19. THE BIG FOUR 57
  20. THE BIG FOUR 61
  21. THE BIG FOUR 63
  22. THE BIG FOUR 65
  23. THE BIO FOUR 67
  24. THE BIG FOUR 69
  25. THE BIG FOUR 71
  26. THE BIG FOUR 75
  27. THE BIG FOUR 77
  28. THE BIG FOUR 79
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  33. THE BIG FOUR 95
  34. THE BIG FOUR 101
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  36. THE BIG FOUR 163
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  50. THE BIG FOUR
  51. THE BIG FOUR 201
  52. THE BIG FOUR 203
  53. THE BIG POUR 207
  54. THE BIG FOUR 209
  55. THE BIG POUR 211
  56. THE BIG FOUR
  57. THE BIG FOUR 215

itself? Here it is--brush me down, I pray you, my

friend, and then I will perform the same service for

you."

"Yes," said Poirot thoughtfully, as he put away the brush, " one must not permit oneself to be obsessed by one idea. I have been in danger of that. Figure to yourself, my friend, that even here, in this case, I am in

danger of it. Those two lines you mentioned, a downstroke and a line at right angles to it, what are they but

the beginning of a 4? "

THE BIG FOUR 95

"Good gracious, Poirot," I cried, laughing.

"Is it not absurd? I see the hand of the Big Four

everywhere. It is well to employ one's wits in a totally different milieu. Ah! there is Japp come to meet us." 7fX«<«^

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10

"We Investigate

at Crofilands

The Scotland Yard Inspector was, indeed, waiting on

the platform, and greeted us warmly.

"Well, Moosior Poirot, this is good. Thought you'd

like to be let in on this. Tip-top mystery, isn't it?" I read this aright as showing Japp to be completely

puzzled and hoping to pick up a pointer from Poirot.

Japp had a car waiting, and we drove up in it to

Croftlands. It was a square, white house, quite unpretentious, and covered with creepers, including the starry

yellow jasmine. Japp looked up at it as we did.

"Must have been balmy to go writing that, poor old

cove," he remarked. "Hallucinations, perhaps, and thought he was outside."

Poirot was smiling at him.

"Which was it, my good Japp?" he asked; "accident or murder?"

98 Agatha Christie

The Inspector seemed a little embarrassed by the

question.

"Well/if it weren't for that curry business, I'd be for accident every time. There's no sense in holding a live

man's head in the fire--why, he'd scream the house

down."

"Ah!" said Poirot in a low voice. "Fool that I have been. Triple imbecile! You are a cleverer man than I am, Japp."

Japp was rather taken aback by the compliment-Poirot being usually given to exclusive self-praise. He reddened and muttered something about there being a

lot of doubt about that.

He led the way through the house to the room where

the tragedy had occurred--Mr. Paynter's study. It was a

wide, low room, with book-lined walls and big leather

armchairs.

Poirot looked across at once to the window which

gave upon a gravelled terrace.

"The window, it was unlatched?" he asked.

"That's the whole point, of course. When the doctor left this room, he merely closed the door behind him.

The next morning it was found locked. Who locked it?

Mr. Paynter? Ah Ling declares that the window was

closed and bolted. Dr. Quentin, on the other hand, has

an impression that it was closed, but not fastened, but

he won't swear either way. If he could, it would make a

great difference. If the man was murdered, some one

entered the room either through the door or the window