Contents ( 57)
- THE BIG FOUR 3
- THE BIG FOUR 5
- THE BIG FOUR 7
- THE BIG FOUR 9
- THE BIG FOUR 11
- THE BIG FOUR 15
- THE BIG FOUR 17
- THE BIG FOUR 23
- THE BIG FOUR 27
- THE BIG FOUR 29
- THE BIG POUR 33
- THE BIG FOUR 35
- THE BIG FOUR 37
- THE BIG FOUR 39
- THE BIO FOUR 47
- THE BIG FOUR 51
- THE BIG FOUR 53
- THE BIG FOUR 55
- THE BIG FOUR 57
- THE BIG FOUR 61
- THE BIG FOUR 63
- THE BIG FOUR 65
- THE BIO FOUR 67
- THE BIG FOUR 69
- THE BIG FOUR 71
- THE BIG FOUR 75
- THE BIG FOUR 77
- THE BIG FOUR 79
- THE BIG FOUR 83
- THE BIG FOUR 85
- THE BIG FOUR 89
- THE BIG FOUR 93
- THE BIG FOUR 95
- THE BIG FOUR 101
- THE BIG FOUR 103
- THE BIG FOUR 163
- THE BIG FOUR 165
- THE BIG FOUR 167
- THE BIG FOUR 169
- THE BIG FOUR 171
- THE BIG FOUR 173
- THE BIG FOUR 175
- THE BIG FOUR 179
- THE BIG FOUR 181
- THE BIG FOUR 183
- THE BIG FOUR 189
- THE BIG FOUR 191
- THE BIG FOUR 195
- THE BIG FOUR 197
- THE BIG FOUR
- THE BIG FOUR 201
- THE BIG FOUR 203
- THE BIG POUR 207
- THE BIG FOUR 209
- THE BIG POUR 211
- THE BIG FOUR
- THE BIG FOUR 215
itself? Here it is--brush me down, I pray you, my
friend, and then I will perform the same service for
you."
"Yes," said Poirot thoughtfully, as he put away the brush, " one must not permit oneself to be obsessed by one idea. I have been in danger of that. Figure to yourself, my friend, that even here, in this case, I am in
danger of it. Those two lines you mentioned, a downstroke and a line at right angles to it, what are they but
the beginning of a 4? "
THE BIG FOUR 95
"Good gracious, Poirot," I cried, laughing.
"Is it not absurd? I see the hand of the Big Four
everywhere. It is well to employ one's wits in a totally different milieu. Ah! there is Japp come to meet us." 7fX«<«^
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10
"We Investigate
at Crofilands
The Scotland Yard Inspector was, indeed, waiting on
the platform, and greeted us warmly.
"Well, Moosior Poirot, this is good. Thought you'd
like to be let in on this. Tip-top mystery, isn't it?" I read this aright as showing Japp to be completely
puzzled and hoping to pick up a pointer from Poirot.
Japp had a car waiting, and we drove up in it to
Croftlands. It was a square, white house, quite unpretentious, and covered with creepers, including the starry
yellow jasmine. Japp looked up at it as we did.
"Must have been balmy to go writing that, poor old
cove," he remarked. "Hallucinations, perhaps, and thought he was outside."
Poirot was smiling at him.
"Which was it, my good Japp?" he asked; "accident or murder?"
98 Agatha Christie
The Inspector seemed a little embarrassed by the
question.
"Well/if it weren't for that curry business, I'd be for accident every time. There's no sense in holding a live
man's head in the fire--why, he'd scream the house
down."
"Ah!" said Poirot in a low voice. "Fool that I have been. Triple imbecile! You are a cleverer man than I am, Japp."
Japp was rather taken aback by the compliment-Poirot being usually given to exclusive self-praise. He reddened and muttered something about there being a
lot of doubt about that.
He led the way through the house to the room where
the tragedy had occurred--Mr. Paynter's study. It was a
wide, low room, with book-lined walls and big leather
armchairs.
Poirot looked across at once to the window which
gave upon a gravelled terrace.
"The window, it was unlatched?" he asked.
"That's the whole point, of course. When the doctor left this room, he merely closed the door behind him.
The next morning it was found locked. Who locked it?
Mr. Paynter? Ah Ling declares that the window was
closed and bolted. Dr. Quentin, on the other hand, has
an impression that it was closed, but not fastened, but
he won't swear either way. If he could, it would make a
great difference. If the man was murdered, some one
entered the room either through the door or the window