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Chapters (68)
  1. Biding Time
  2. Dedication
  3. Table of Contents
  4. Prologue
  5. Chapter One
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Chapter Nineteen
  25. Chapter Twenty
  26. Chapter Twenty-One
  27. Chapter Twenty-Two
  28. Chapter Twenty-Three
  29. Chapter Twenty-Four
  30. Chapter Twenty-Five
  31. Chapter Twenty-Six
  32. Chapter Twenty-Seven
  33. Chapter Twenty-Eight
  34. Chapter Twenty-Nine
  35. Chapter Thirty
  36. Chapter Thirty-One
  37. Chapter Thirty-Two
  38. Chapter Thirty-Three
  39. Chapter Thirty-Four
  40. Chapter Thirty-Five
  41. Chapter Thirty-Six
  42. Chapter Thirty-Seven
  43. Chapter Thirty-Eight
  44. Chapter Thirty-Nine
  45. Chapter Forty
  46. Chapter Forty-One
  47. Chapter Forty-Two
  48. Chapter Forty-Three
  49. Chapter Forty-Four
  50. Chapter Forty-Five
  51. Chapter Forty-Six
  52. Chapter Forty-Seven
  53. Chapter Forty-Eight
  54. Chapter Forty-Nine
  55. Chapter Fifty
  56. Chapter Fifty-One
  57. Chapter Fifty-Two
  58. Chapter Fifty-Three
  59. Chapter Fifty-Four
  60. Chapter Fifty-Five
  61. Chapter Fifty-Six
  62. Acknowledgments
  63. Other Titles by Lyn Gardner
  64. Going on Red
  65. Choices
  66. Born Out of Wedlock
  67. Give Me A Reason
  68. Mistletoe

The wall behind the bed was the same blue-gray as the vanity, with all the other walls the shade of latte, and that shade repeated in the area rug covering most of the floor. The furniture was as dark as espresso, and the comforter's jacquard design pulled together all the colors in the room. Windows flanked the bed, their drapes one shade darker than the latte, and the trim throughout was a bright, glossy white.

Noticing four small sketches above the chest of drawers, Lisa wandered over to look at them. The first thing that caught her eye was the simplistic frames, merely basic squares of black surrounding the drawings. The next was the paper. Lisa could see the fibers in the parchment, and being slightly sepia in tone, she knew they were old. She nonchalantly moved from sketch to sketch, studying the nude, buxom, flared-hip women drawn in various stages of foreplay and intercourse before her eyes finally settled on the signature scrawled in the corners. Lisa read it…and then she read it again.

***

Bennett was setting down her phone when Lisa came out of the bedroom. “I just spoke with Max. He wants us at his place at no later than three, so we can talk.”

“So much for the honeymoon.” Lisa held up her hands when Bennett’s face turned sour. “Chillax, honey. It was a joke. I’m actually surprised he didn’t want us over there bright and early this morning.”

“I think he wanted to give everyone a chance to catch their breath.”

Lisa giggled. “I guess we didn’t get the memo—huh?”

Bennett’s smile lit up her apartment, and walking around the counter, she pulled Lisa into her arms. “No, I suppose we didn’t.” Their lips met in a gentle massage that was both light and lingering, and it lasted for almost a minute before the buzzer on the coffee maker interrupted the moment.

“And that would be our coffee.” Bennett gave Lisa a quick peck on the cheek before returning to the kitchen. “Would you like a cup?”

“Yes, please,” Lisa said, sauntering to the counter. “So…um…are those really Gustave Courbet sketches you have in the bedroom?”

“Please tell me that’s a rhetorical question, or I’m paying you far too much to be my curator.”

“Ha ha,” Lisa said, taking the cup Bennett was offering. “I was just a little surprised to see them. You do know how much they’re worth—right?”

Bennett peered down her nose at Lisa. “Yet another silly question.” Lisa playfully scrunched up her face, and Bennett let out a laugh. “Yes, of course, I know how much they’re worth, and before you ask, they’re completely encased in archival glass and framework, and I never hang them anywhere near direct sunlight.”

“You move them?”