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Chapters (129)
  1. Full Page Image
  2. Dedication
  3. Dedication
  4. AUTHOR’S NOTE
  5. BLAKE
  6. 1999
  7. BEVERLY
  8. 1
  9. BEVERLY, 1993
  10. 2
  11. BEVERLY, 1993
  12. 3
  13. BEVERLY, 1994
  14. 4
  15. BLAKE, 1994
  16. 5
  17. BEVERLY, 1994
  18. 6
  19. BEVERLY, 1995
  20. 7
  21. BLAKE, 1995
  22. 8
  23. BEVERLY, 1996
  24. 9
  25. BEVERLY, 1997
  26. 10
  27. BLAKE, 1997
  28. 11
  29. BLAKE, 1997
  30. 12
  31. BEVERLY, 1997
  32. 13
  33. BLAKE, 1997
  34. 14
  35. BEVERLY, 1998
  36. 15
  37. BLAKE, 1998
  38. 16
  39. BEVERLY, 1998
  40. 17
  41. BLAKE, 1998
  42. 18
  43. BEVERLY, 1998
  44. 19
  45. BLAKE, 1998
  46. 20
  47. BEVERLY, 1998
  48. 21
  49. BLAKE, 1998
  50. 22
  51. BEVERLY, 1998
  52. 23
  53. BLAKE, 1998
  54. 24
  55. BEVERLY, 1998
  56. 25
  57. BLAKE, 1998
  58. 26
  59. BEVERLY, 1998
  60. 27
  61. BLAKE, 1998
  62. 28
  63. BEVERLY, 1999
  64. 29
  65. BEVERLY, 1999
  66. 30
  67. BLAKE, 1999
  68. 31
  69. BEVERLY, 1999
  70. 32
  71. BEVERLY, 1999
  72. 33
  73. BLAKE, 1999
  74. 34
  75. BEVERLY, 1999
  76. 35
  77. BLAKE, 1999
  78. 36
  79. BEVERLY, 1999
  80. 37
  81. BLAKE, 1999
  82. 38
  83. BLAKE, 1999
  84. 39
  85. BEVERLY, 1999
  86. 40
  87. BEVERLY, 1999
  88. 41
  89. BLAKE, 1999
  90. 42
  91. BEVERLY, 1999
  92. 43
  93. BLAKE, 1999
  94. 44
  95. BEVERLY, 1999
  96. 45
  97. BLAKE, 1999
  98. 46
  99. BEVERLY, 1999
  100. 47
  101. BLAKE, 1999
  102. 48
  103. BEVERLY, 1999
  104. 49
  105. BLAKE, 1999
  106. 50
  107. BEVERLY, 1999
  108. 51
  109. BLAKE, 2000
  110. 52
  111. BEVERLY, 2001
  112. 53
  113. BLAKE, 2001
  114. 54
  115. BEVERLY, 2001
  116. 55
  117. BLAKE, 2001
  118. 56
  119. BEVERLY, 2001
  120. 57
  121. BLAKE, 2001
  122. 58
  123. BEVERLY, 2001
  124. 59
  125. BLAKE, 2001
  126. EPILOGUE
  127. BEVERLY, 2002
  128. ACKNOWLEDGMENTS
  129. IMPRESSUM

Blake nodded, a bit smug. “They’re launching a couture line. You’re getting a custom capsule collection named after you. I pitched ‘Tiffany’s Tulle-tastrophe,’ but legal said no.”

She stared at him, slack-jawed. “I don’t know whether to hug you or sue you.”

“Hug him,” I said, stealing my soda back. “He bought me six floor-to-ceiling mirrors last week.”

“And ballet barres made of reclaimed oak,” he added proudly.

“You mean stolen from a rich man’s broken fence?”

“Repurposed,” he corrected. Then he leaned over and kissed my cheek, which was infuriating, mostly because I couldn’t stop watching him afterward. Like my body forgot what to do unless it was reacting to him.

This was my life now. Loud. Busy. Stupidly happy.

After the meltdown, the letters, the not-quite-a-kiss in the living room, and the kiss in the ocean—things settled.

We moved back to L.A., and Blake relocated ChimeIn’s main office to a building just down the street from my new dance studio.

He said it was for “logistical reasons,” but we all knew it was because he liked watching me through the window, always pretending he just happened to pass by with a coffee he “accidentally” bought two of. He stocked the studio with my favorite snacks. Replaced all the lightbulbs with the “cozy ones,” because apparently I once said the harsh white ones made me feel like I was “trapped in a Walgreens”. Bought me new slippers after I stepped on a splinter, then claimed it was “an act of self-preservation” because my rage had no off switch. The studio didn’t need new lightbulbs. It didn’t need snacks labeled with my initials, or slippers that cost more than kitchen chairs. But he still did all of it—quiet, relentless acts of apology disguised as affection.

Blake called it operational efficiency. Tiffany called it groveling.

He never stopped. At least once a day, sometimes twice, especially if I so much as seemed mildly annoyed.

He read my rehearsal notes like they were sacred texts. Tried to teach me Excel formulas at 9 p.m. when I was trying to nap on his chest. Held me like he was afraid I’ll vanish in the morning.

I loved the studio the way people love their first real apartment. It was mine. A little messy, full of cracked charm and possibility. I hosted weekly open classes for girls who couldn’t afford formal training—girls who walked in nervous and left laughing. Sometimes  Blake showed up and stood in the back, pretending he was just there for the playlist. Once, he tried to demonstrate a plié and nearly pulled his hamstring. I banned him for two weeks.