Back Better to See You Save as PDF
Contents ( 38)
  1. BETTER TO SEE YOU
  2. ISABEL JOLIE
  3. CONTENTS
  4. BETTER TO SEE YOU
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. EPILOGUE
  36. FROM THE AUTHOR… AKA IZZY
  37. ALSO BY ISABEL JOLIE
  38. ABOUT THE AUTHOR

Liam and another agent, Agent Mokowski, lead the discussion, recapping everything we know. I would grow antsy, except they complete the recap in under five minutes. Easily done with no evidence. Everyone in the room already knows the gist. Wealthy girl missing, initially a suspected runaway, then evidence of tampering with the security camera feed provided evidence of foul play. Anonymous ransom received.

A projector on the wall lists the ransom demands.

Twenty-five million dollars to be paid via cryptocurrency.

Once the funds are received, they will provide an address for where to locate Sophia.

No option to negotiate. If funds aren’t received within forty-eight hours, they kill her.

The slide flips to a video.

I have not seen this video, so I surge closer.

Sophia is bound to a bed, sprawled out flat. Each wrist and ankle is tied to a bedpost. The skin below the binding on each wrist is rubbed raw, and there appears to be some blood. She tugs on the bindings. She’s not wearing a blindfold, nor is her mouth covered. Her face is red and splotchy, and she whimpers. Her blonde hair appears matted and dirty.

The lack of blindfold means they aren’t worried about her outing them when this is over. And wherever they have her tied up, they aren’t worried about her being heard.

The dress she is wearing is floral. The cut of the dress isn’t something I see regularly, and I doubt it’s something Sophia would own.

Agent Mokowski speaks up. “This video is the only proof of life provided. We have a team reviewing it closely. There are no windows. No artwork. The walls are cinderblock. The iron bedframe isn’t manufactured in the US. The dress is not a dress from Sophia Sullivan’s wardrobe. Which means they put her in this dress. Possibly because the outfit she was wearing was damaged or soiled. Reasons they waited to make the video and the ransom could be because they needed to transport her. Or because this wasn’t the original plan.”

Jack speaks up. His hands rest on his hips, and his wrinkled shirt is unbuttoned at the collar, with the sleeves rolled up nearly to his elbows. “I don’t care about the money. I’ve already requested the funds be collected.”

Agent Ryland and I exchange a glance. We both understand his desire to pay the ransom. But doing so almost guarantees Sophia’s life will end.

We need a lucky break. Something that can lead us to her captors.

Another agent stands, introducing himself as Drake Williams from ATF. He points at a photo of Larry Reyes and another man.

“We’ve been watching Larry Reyes for two years. This man he’s with is Carlos Morales. He’s a reseller, meaning he buys legal arms and equipment and delivers it to countries on our watch list. Specifically, he’s the biggest source of weapons to two of the cartels in Mexico. He’s good at what he does. If he wasn’t, he’d already be locked up.”