Back Behind Closed Doors
Chapters (17)
  1. Cover
  2. Title Page
  3. Preface
  4. Introduction
  5. Grace
  6. America 1911
  7. Dainty Shoes
  8. Grandmother Lidda
  9. America 1918
  10. I Take You Out
  11. Her Father’s House
  12. Ciancianedda
  13. Red Roses
  14. Caterina’s Loom
  15. Glossary
  16. Afterword
  17. Translator’s Acknowledgments

This work would not have been possible without assistance from many quarters. I would first like to express my debt of gratitude to the late Claudio and Giuseppina Buttà of Sant’Angelo di Brolo, Sicily, who so kindly opened their home to me when I was a student thirty years ago. Their warmth, generosity of spirit, and interest in helping me research my own family’s stories, stimulated my interest in turn of the century emigration and the literature of the period. I am also grateful to the Buttà children who have continued their parents’ gracious traditions and who welcome me with open arms whenever I am in Sicily.

From the outset of the project, I was fortunate to have the support of Dr. Antonino Testagrossa, Giuseppe Ciccia, and Nella Faillaci, all involved with the Progetto Mistretta, an organization dedicated to preserving Mistretta’s rich cultural past. Their extraordinary knowledge of the town’s history, willingness to grant me access to precious archival materials, and readiness to meet with me at every turn, greatly facilitated my research on Messina while I was in Sicily.

As a translator, I would like to express my gratitude to friends and colleagues Francesca Zanoncelli of Parma, Italy, Giancarlo Campolmi of Florence, Italy, and Professor Nicoletta Tinozzi Mehrmand at the University of California, Riverside, for their helpful suggestions along the way. I would also like to acknowledge Paulette Simpson of Juneau, Alaska, and Michael Baumgaertner of Stanford, California, for their thoughtful comments and careful editing of the final manuscript. My most sincere thanks, also, to Florence Howe at The Feminist Press for recognizing the importance of Messina’s works and for all of her assistance in bringing the translations to print.

This work has benefited enormously from an ongoing scholarly exchange and friendship with Professor Francesca Parmeggiani of Fordham University. Her knowledge of Italian women writers, insights into historic content, and gift for discerning linguistic nuances in both the original and translated texts, significantly enhanced the overall quality of the manuscript. In addition, her constant encouragement and sensible advice during all phases of the project were of inestimable help to me, and I will always be grateful for her guidance.

And finally, in the truest Sicilian sense of the word, I wish to thank la mia famiglia—my parents, my husband Joe, my children Julia, Michael, and Gabriel for their unfailing support and infinite patience.

I dedicate this translatiton to the memory of my immigrant grandparents, Michelangelo Magistro, Maria Concetta Sutera, Mathieu Etchart, and Dominica Itçaina, for their untold sacrifices and remarkable courage.

The Feminist Press at the City University of New York is a nonprofit literary and educational institution dedicated to publishing work by and about women. Our existence is grounded in the knowledge that women’s writing has often been absent or underrepresented on bookstore and library shelves and in educational curricula—and that such absences contribute, in turn, to the exclusion of women from the literary canon, from the historical record, and from the public discourse.