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Contents ( 83)
  1. Be Careful What You Wish For
  2. VIVIEN BROWN
  3. Prologue
  4. Chapter 1
  5. PRUE
  6. Chapter 2
  7. MADI
  8. Chapter 3
  9. Chapter 4
  10. PRUE
  11. Chapter 5
  12. MADI
  13. Chapter 6
  14. Chapter 7
  15. PRUE
  16. Chapter 8
  17. MADI
  18. Chapter 9
  19. PRUE
  20. Chapter 10
  21. Chapter 11
  22. MADI
  23. Chapter 12
  24. PRUE
  25. Chapter 13
  26. Chapter 14
  27. MADI
  28. Chapter 15
  29. Chapter 16
  30. PRUE
  31. Chapter 17
  32. MADI
  33. Chapter 18
  34. PRUE
  35. Chapter 19
  36. Chapter 20
  37. MADI
  38. Chapter 21
  39. PRUE
  40. Chapter 22
  41. MADI
  42. Chapter 23
  43. Chapter 24
  44. PRUE
  45. Chapter 25
  46. MADI
  47. Chapter 26
  48. PRUE
  49. Chapter 27
  50. Chapter 28
  51. MADI
  52. Chapter 29
  53. PRUE
  54. Chapter 30
  55. MADI
  56. Chapter 31
  57. PRUE
  58. Chapter 32
  59. Chapter 33
  60. MADI
  61. Chapter 34
  62. Chapter 35
  63. PRUE
  64. Chapter 36
  65. MADI
  66. Chapter 37
  67. PRUE
  68. Chapter 38
  69. MADI
  70. Chapter 39
  71. Chapter 40
  72. PRUE
  73. Chapter 41
  74. MADI
  75. Chapter 42
  76. Chapter 43
  77. PRUE
  78. Chapter 44
  79. MADI
  80. Acknowledgements
  81. About the Author
  82. Also by Vivien Brown
  83. About the Publisher

Prue gave her friend a quick rundown of the flat, the area, how she’d agreed to swap homes with Madi, and her plans to chill out for a few more weeks and take lots of fantastic photos.

‘And your mum? Can I tell her any of this? You know I’m bloody hopeless at keeping secrets. She’ll see through me in a heartbeat if I try to lie to her.’

‘I’ll tell her myself if that makes it easier. Just the basics, mind. Not the actual address. I really do need to put a bit of space between me and Shelling at the moment. I need some time to think, and her turning up would ruin all that.’

‘To think about what?’

‘Oh, you know. Life, the universe and everything. Where I really want to be, what I really want to do. If I don’t have Joe tying me to the village, I can start looking at my own future now, instead of a joint one, can’t I? The world’s a big place, and I can’t see myself taking photos for the Gazette for ever.’

‘I’ve always said your talent is wasted there. Not that I want you to leave. The village wouldn’t be the same without you.’

‘Living just up the lane from Joe? Trying to just be friends? Watching him take up with someone else, as he’s bound to eventually? I might even get asked to photograph his wedding one day. It’ll be hard. Well, weird anyway.’

‘Oh, never mind him. You can’t let him drive you away from your lovely little cottage. And Shelling’s as much your home as his. Just grin and bear it, or totally ignore him if you need to. But, as for a job … your pictures are really great, Prue. You could be doing stuff for the glossy magazines or have an exhibition or something. Proper art, instead of Farmer Giles’s prize pig or Auntie Nelly’s golden wedding.’

Prue couldn’t help but laugh. ‘I actually quite like going out and taking photos of people’s special moments, giving them their fifteen minutes of fame. But I know what you mean. It would be good to do more, to stretch myself a bit. Maybe while I’m in London I might find some inspiration. There’s certainly a lot here to point my lens at!’

‘And men? Are there lots of them in London too? Have you met anyone … suitable? Or sexy? A little fling would do you a world of good.’

‘Sian, you are terrible! It’s less than two weeks since I split up with Joe. Give my battered heart a bit longer to recover, please! And I’m not sure men are what I need right now.’

‘Nonsense. It’s like falling off a horse. The sooner you get back on …’

‘Oh, stop it! Now tell me, how’s Flo? The only one in my life who I know really loves me just as I am. Have you seen her?’

‘No, I haven’t. Why would I, unless she gets sick? But loads of people love you, and don’t you forget it.’