Back Bad Love Save as PDF
Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

“Hoo-hah to the max. She said she couldn't promise anything, but she'd be willing to at least talk to you. Maybe there'd be some way to work something out. The more we talked, the friendlier she got. My feeling is she wants to help but is afraid of being burned by more publicity. So be gentle with her.”

“No brass knucks,” I said. “How much do I tell her?”

He ate another piece of roll. “As little as possible.”

“When can she see me?”

“This afternoon. Here's the number.” He took a scrap of paper out of his pocket, gave it to me, and stood.

“Where you going?” I said.

“Over the hill. Van Nuys. Try to find out what I can about who cut up Myra Paprock five years ago.”

After he was gone, I called in for messages—still nothing from Shirley Rosenblatt in New York—then wrote a letter to the bulldog club informing them I'd found what might possibly be a member's pet. At nine-thirty, I phoned Jean Jeffers and was put through to her secretary, who sounded as if she'd been expecting me. An appointment with Ms. Jeffers was available in an hour if I was free.

I grabbed a roll, put on a tie, and left.

The center was in a block of cheerless, pastel-colored apartments, in a quiet part of West L.A. not far from Santa Monica. An old, working-class district, near an industrial park whose galloping expansion had been choked off by hard times. Constructus interruptus had left its mark all over the neighborhood—half-framed buildings, empty lots dug out for foundations and left as dry sumps, pigeon-specked FOR SALE signs, boarded-up windows on condemned prewar bungalows.

The clinic was the only charming bit of architecture in sight. Its front windows were barred, but boxes filled with begonias hung from the iron. The spot on the sidewalk where Dorsey Hewitt had fallen dead was clean. But for a couple of trash-choked shopping carts in front, it could have been a private sanitarium.

A generous lot next door was two-thirds empty and marked EMPLOYEES ONLY. NO PATIENT PARKING. I decided a consultant qualified as someone's employee, and parked there.

I made my way back to the front of the building, passing the section of wall that had been obsessed upon by the TV camera. A cement cornerstone etched with names of forgotten politicos stated that the building had been dedicated as a veterans clinic in 1919. The door Hewitt had come out of was just to the right, unmarked and locked—two locks, each almost as large as the one sealing Roddy Rodriguez's brickyard.