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Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

Evelyn cut her off with a look. “You don't worry yourself about things. We got to be heading back—if there's time, I'll get you an ice cream.”

She yanked the gear lever down. The Chevy grumbled and bucked, then drove off, rear bumper flirting with the road.

I stood there a while, sucking up exhaust fumes, then went back up to the house, returned to the library, and charted:

“Strong resistance to eval. on part of m.g.m. T overtly angry, hostile to father, talks in terms of sin, retribution. C still not communic. Will follow.”

Profound.

I went to the bedroom and retrieved Ruthanne Wallace's police file.

Big as a phone book.

“Trial transcripts,” Milo had said, hefting it as he handed it over. “Sure isn't because of any hotshot detection. Your basic moron murder.”

He'd pulled it from Foothill Division's CLOSED files, filling my request without question. Now I flipped pages, not knowing why I'd asked for it. Closing the folder, I took it into the library and crammed it down into a desk drawer.

Ten in the morning and I was already tired.

I went to the kitchen, loaded some coffee into the machine, and started going through the mail, discarding junk mail, signing checks, filing paper, then coming to the brown-wrapped package that I'd assumed was a book.

Slitting the padded envelope, I stuck my hand in, expecting the bulk of a hardcover. But my fingers touched nothing and I reached deeper, finally coming upon something hard and smooth. Plastic. Wedged tightly in a corner.

I shook the envelope. An audiocassette fell out and clattered onto the table.

Black, no label or markings on either side.

I examined the padded envelope. My name and address had been typed on a white sticker. No zip code. No return address either. The postmark was four days old, recorded at the Terminal Annex.

Curious, I took the tape into the living room, slipped it into the deck, and sank back onto the old leather couch.

Click. A stretch of static-fuzzed nothing started me wondering if this was some sort of practical joke.

Then a shock of noise killed that theory and made my chest tighten.

A human voice. Screaming.

Howling.

Male. Hoarse. Loud. Wet—as if gargling in pain.

Unbearable pain. A terrible incoherence that went on and on as I sat there, too surprised to move.

A throat-ripping howling interspersed with trapped-animal panting.

Heavy breathing.

Then more screams—louder. Ear-clapping expulsions that had no shape or meaning . . . like the soundtrack from the rancid core of a nightmare.

I pictured a torture chamber, shrieking black mouths, convulsing bodies.

The howling bore through my head. I strained to make out words amid the torrent but heard only the pain.

Louder.

I leaped up to turn down the volume on the machine. Found it already set low.

I started to turn it off, but before I could, the screaming died.

More static-quiet.

Then a new voice.

Soft. High-pitched. Nasal.