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Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

She had on a black silk T-shirt and black jeans, and over that a purple and red kimono-type shirt tied around her waist. The jeans were tucked into black boots with tooled silver toes. Her hair was loose and longer than ever—well past her shoulder blades, the auburn curls bronzed by the light from the baggage claim area. Her skin gleamed and her dark eyes were clear and peaceful. It had been five days since I'd seen her, but it seemed like a long separation.

She touched my cheek and smiled. I leaned in for a longer kiss.

“Whoa,” she said, when we stopped, “I'll go away more often.”

“Not necessary,” I said. “Sometimes there is gain without pain.”

She laughed and hugged me and put her arm around my waist. I held the door open as she got in the car. The man in the Hawaiian shirt had turned his back on us.

As I drove away she put her hand on my knee and looked over at the back seat. “Where's the dog?”

“Guarding hearth and home. How was your talk?”

“Fine. Plus I may have sold that archtop guitar I did last summer—the one Joey Shah defaulted on. I met a jazz musician from Dublin who wants it.”

“Great,” I said. “You put a lot of time into that one.”

“Five hundred hours, but who's counting.”

She stifled a yawn and put her head on my shoulder. I drove all the way to Sunset before she woke up, shaking her curls. “Boy . . . must have hit me all of a sudden.” Sitting up, she blinked at the streets of Bel Air.

“Home sweet home,” she said softly.

I waited until she'd roused herself before telling her the bad news.

She took it well.

“Okay,” she said, “I guess it goes with the territory. Maybe we should move out for a while and stay at the shop.”

“Move out?”

“At least till you know what's going on.”

I thought of her studio, separated from the mean streets of Venice by a thin veneer of white windows and locks. Saws and drills and wood shavings on the ground floor. The sleeping loft in which we'd made love so many times . . .

“Thanks,” I said, “but I can't stay away indefinitely—the house needs maintenance. Not to mention the fish that're left.”

That sounded trivial, but she said, “That poor fish. And you worked so hard to keep them alive.”

She touched my cheek.

“Welcome home,” I said glumly.

“Don't worry about that, Alex. Let's just figure out how to deal with this stupidity until it's resolved.”

“I don't want to put you in any danger. Maybe you should move to the shop—”

“And leave you alone in the middle of this?”

“I just want to make sure you're okay.”